Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes's 'Le Corsaire: Act I - "17. Pas d’Esclave: Variation: Gulnare"' came out on October 14, 2011. With Le Corsaire: Act I - "17. Pas d’Esclave: Variation: Gulnare" being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Evergreen Symphony Orchestra, Anna-Marie Holmes, Kevin Galiè's "Le Corsaire - A Ballet in Three Acts" album is number 17 out of 70. Le Corsaire: Act I - "17. Pas d’Esclave: Variation: Gulnare" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Corsaire: Act I - "17. Pas d’Esclave: Variation: Gulnare" by Evergreen Symphony Orchestra, Kevin Galiè, Anna-Marie Holmes to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto No. 1 in A Minor, Op. 46: I. Allegro moderato | Henri Vieuxtemps, Wen-Sinn Yang, Evergreen Symphony Orchestra, Gernot Schmalfuss | C Major | 2 | 8B | 119 BPM | ||
Giselle: Act II: Variation de Giselle | Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville Marriner | E♭ Major | 2 | 5B | 83 BPM | ||
Henry VIII: Danse de la gypsy | Camille Saint-Saëns, Razumovsky Symphony Orchestra, Andrew Mogrelia | D Minor | 1 | 7A | 82 BPM | ||
Eight Waltzes from Film Music, Suite for Orchestra: Waltz from "Michurin" (op.78) | Dmitri Shostakovich, Russian Philharmonic Orchestra, Thomas Sanderling | B♭ Major | 1 | 6B | 177 BPM | ||
Act I: Sancho Panza & The Maidens (Minkus) | Mariinsky Orchestra | E♭ Major | 4 | 5B | 171 BPM | ||
Symphony No. 3 in C Major: I. Adagio maestoso - Allegro presto | Antonio Casimir Cartellieri, Evergreen Symphony Orchestra, Gernot Schmalfuss | B♭ Major | 1 | 6B | 136 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
J. Strauss II: Lob der Frauen, Op. 315 | Johann Strauss II, Nikolaus Harnoncourt, Berliner Philharmoniker | D Major | 0 | 10B | 125 BPM | ||
Ballad in D Minor, Op. 15, No. 1 | Antonín Dvořák, Edmund Battersby, Zhou Qian | A Major | 1 | 11B | 86 BPM | ||
Act I: Variation Of Basil & Friends (Minkus) | Mariinsky Orchestra | D Major | 4 | 10B | 149 BPM |