Ernst Krenek, Glenn Gould made "Piano Sonata No. 3, Op. 92 No. 4: III. Scherzo. Vivace ma non troppo" available on 1959. With Piano Sonata No. 3, Op. 92 No. 4: III. Scherzo. Vivace ma non troppo being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Glenn Gould's "Glenn Gould Plays Sonatas, Fantasies & Variations" album is number 4 out of 55. Piano Sonata No. 3, Op. 92 No. 4: III. Scherzo. Vivace ma non troppo is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Piano Sonata No. 3, Op. 92 No. 4: III. Scherzo. Vivace ma non troppo by Ernst Krenek, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ô Lacrymosa, Op. 48: No. 1, O Tranenvolle | Ernst Krenek, Christine Schäfer, Axel Bauni | F♯ Major | 0 | 2B | 87 BPM | ||
Reisebuch aus den österreichischen Alpen, Op. 62 / Band 1: Wetter | Ernst Krenek, Wolfgang Holzmair, Gérard Wyss | G Major | 1 | 9B | 80 BPM | ||
Alpbach Quintet, Op. 180a: Intermezzo 2 | Ernst Krenek, Csaba Klenyán, Zoltán Gyöngyössy, Béla Horváth, Atilla Janko, Gábor Bizják, László Tömösközi | E♭ Minor | 0 | 2A | 68 BPM | ||
Preludio | Giuseppe Bruni, Fortibus Ensemble | B♭ Major | 0 | 6B | 168 BPM | ||
Mercure: VII. Bain des Grâces | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Piano Concerto No. 2 in C Minor: III. Andante | Emil von Sauer, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A Minor | 1 | 8A | 91 BPM | ||
String Quartet No. 10, Op. 118: IV. Allegretto-Andante | Dmitri Shostakovich, Tiziano Baviera, Alberto Franchin, Sara Dambruoso, Tommaso Tesini, Quartetto Noûs | A Major | 1 | 11B | 122 BPM | ||
12 Variations in 3 Movements, Op. 79: Variations 6-8: Adagio | Ernst Krenek, Till Alexander Körber | C Major | 0 | 8B | 69 BPM | ||
Prometheus: II. According to the Second... | Geoffrey Gordon, Martyn Brabbins, Laurent Ben Slimane, Philharmonia Orchestra | A Major | 1 | 11B | 81 BPM | ||
St Anthony Variations, Op. 56a "Haydn Variations": Var. 4. Andante con moto | Johannes Brahms, Staatskapelle Dresden, Claudio Abbado | D Minor | 0 | 7A | 82 BPM |