"Buxtehude: Mein Gemüt erfreuet sich, BuxWV 72" by Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Peter Kooij, Hannover Knabenchor, Amsterdam Baroque Orchestra was released on January 1, 1988. Buxtehude: Mein Gemüt erfreuet sich, BuxWV 72 appears to be safe for all ages as it is not explicit. The song is number 2 out of 17 in Buxtehude: Cantatas by Dietrich Buxtehude, Ton Koopman, Amsterdam Baroque Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Buxtehude: Mein Gemüt erfreuet sich, BuxWV 72 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Buxtehude: Mein Gemüt erfreuet sich, BuxWV 72 by Dietrich Buxtehude, Ton Koopman, Barbara Schlick, Michael Chance, Peter Kooij, Hannover Knabenchor, Amsterdam Baroque Orchestra is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Languet anima mea BWV deest 1006: II. Aria: O vulnera, vita coelestis | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Matthäus Passion, Prima Parte: 8. Aria (Soprano): Blute Nur, Du Liebes Herz! | Stephen Cleobury, Johann Sebastian Bach, Rogers Covey-Crump, David Thomas, Martyn Hill, Choir of King's College, Cambridge, Michael George, Michael Chance, Emma Kirkby | B♭ Minor | 0 | 3A | 135 BPM | ||
Oster-Oratorium, BWV 249: Sinfonia | Johann Sebastian Bach, Ilse Eerens, Michael Chance, Markus Schäfer, David Wilson-Johnson, Cappella Amsterdam, Orchestra Of The 18th Century, Frans Brüggen | D♭ Major | 2 | 3B | 174 BPM | ||
Magnificat in D, BWV 243: Et exultavit (soprano 2) | Lisa Milne, Choir of King's College, Cambridge, Susan Gritton, Michael George, Stephen Cleobury, Michael Chance, Ian Bostridge, Academy of Ancient Music | D♭ Major | 1 | 3B | 127 BPM | ||
Matthäus Passion, Prima Parte: 20. Aria (Tenor) With Chorus: Ich Will Bei Meinem Jesu Wachen | Stephen Cleobury, Choir of King's College, Cambridge, Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, Michael George, Martyn Hill, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM | ||
L'Orfeo / Act I: "Lasciate i monti" - "Ma tu, gentil cantor" | Claudio Monteverdi, Michael Chance, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir | D♭ Major | 2 | 3B | 101 BPM | ||
When Saul was king: IV. All the night she weepeth sore | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Helen Charlston, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Symphoniae sacrae II, SWV 350: Lobet den Herrn | Heinrich Schütz, David de Winter, Rachel Harris, Kathryn Parry, Tatty Theo, Lynda Sayce, Lisete da Silva Bull, Emily Bannister, Carolyn Gibley | F♯ Major | 3 | 2B | 175 BPM | ||
Te Deum: VII. Tu ad dexteram Dei sedes | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Salve Regina: No. 5., Et Jesu benedictum | Pasquale Anfossi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM |