Johann Friedrich Fasch, Judith Farmer, Andrew Shulman, Patricia Mabee, Fred Vogler, Rich Breen's 'Sonata for Bassoon and Basso Continuo: III. Andante' came out on December 24, 2020. The duration of Sonata for Bassoon and Basso Continuo: III. Andante is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Sonata for Bassoon and Basso Continuo: III. Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Judith Farmer, Rich Breen's "Judith Farmer Plays Favorites" album is number 3 out of 9. Sonata for Bassoon and Basso Continuo: III. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Bassoon and Basso Continuo: III. Andante by Johann Friedrich Fasch, Judith Farmer, Andrew Shulman, Patricia Mabee, Fred Vogler, Rich Breen to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in G major Seibel 215: 2. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 1 | 2B | 104 BPM | ||
Les fêtes de Polymnie: Overture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | D♭ Major | 0 | 3B | 67 BPM | ||
Concerto 1 in D Minor, Op. 7: III. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 142 BPM | ||
Rameau: Les Boréades, Act 4: Entrée | Jean-Philippe Rameau, English Baroque Soloists, John Eliot Gardiner | D♭ Major | 1 | 3B | 84 BPM | ||
Violin Concerto in A Minor: I. Allegro | Johann Georg Pisendel, Lina Tur Bonet, Musica Alchemica | E♭ Minor | 4 | 2A | 105 BPM | ||
Concerto No 1 in G major - Allegro | Giuseppe Torelli, Charivari Agréable, Kah-Ming Ng | F♯ Major | 1 | 2B | 82 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Trumpet Concerto in D Major, FWV L:D1: III. Allegro | Johann Friedrich Fasch, Alain De Rudder, Il Gardellino | A♭ Major | 1 | 4B | 123 BPM | ||
Concerti Ecclesiastici: No. 49, Sonata à 3 | Giovanni Paolo Cima, London Baroque | A♭ Minor | 2 | 1A | 52 BPM |