Heitor Villa-Lobos, Sven Lundestad made "Prelude no. 5" available on December 24, 2014. With this song being around four minutes long, at 4:12, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Serenata". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Norway. The popularity of Prelude no. 5 is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Prelude no. 5 by Heitor Villa-Lobos, Sven Lundestad having a テンポ of 164 with a half-time of 82 テンポ and a double-time of 328 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dansa brasileira | Camargo Guarnieri, Simón Bolívar Symphony Orchestra Of Venezuela, Maximiano Valdes | F♯ Minor | 3 | 11A | 102 BPM | ||
Apres un reve, Op. 7, No. 1 (arr. I. Sztankov): 3 Songs, Op. 7: No. 1. Apres un reve (arr. for double bass and piano) | Iván Sztankov, Gabriel Fauré, Erika Tóth | A Minor | 0 | 8A | 82 BPM | ||
24 Studies, Op. 35, "Exercises": Study No. 22 in E Minor | Fernando Sor, Timo Korhonen | B Minor | 0 | 10A | 48 BPM | ||
Sonate pour flûte, alto et harpe: I. Pastorale. Lento, dolce rubato | Claude Debussy, Philippe Bernold, Gérard Caussé, Isabelle Moretti, Ariane Jacob | F Major | 0 | 7B | 100 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Lo frate 'nnamorato: II. Andante | Giovanni Battista Pergolesi, Orchestra da Camera di Napoli, Enzo Amato | E Minor | 5 | 9A | 165 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Papillons, Op.2: No. 11 | Robert Schumann, Nelson Freire | D Major | 1 | 10B | 120 BPM | ||
Guia Prático, Album 9, W359: No. 35. O ciranda, o cirandinha | Heitor Villa-Lobos, Andrea Bissoli, Federica Artuso, Stefano Brait, Enrico Filippo Maligno | B♭ Major | 1 | 6B | 95 BPM | ||
Prelude (for Olga) | Jorge Morel, Gerald Garcia | A Minor | 0 | 8A | 76 BPM |