"Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259)" by George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey was released on January 1, 1995. Since Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, The English Concert, Trevor Pinnock, The Choir Of Westminster Abbey, Simon Preston's "Handel: Coronation Anthems; Concerti a due cori" album is number 4 out of 16. The popularity of Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Let Thy Hand be Strengthened (Coronation Anthem No.2, HWV 259) by George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey to be Vivace (lively and fast) because the track has a tempo of 170 テンポ, a half-time of 85テンポ, and a double-time of 340 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in G Minor, Op. 9, No. 8: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 89 BPM | ||
Brandenburg Concerto No. 1 in F BWV1046: III. Allegro | Johann Sebastian Bach, Catherine Mackintosh/Paul Goodwin/Timothy Brown/Susan Dent/Orchestra of the Age of Enlightenment, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 92 BPM | ||
Gloria in D, R.589: 6. Domine Deus, Rex Coelestis | Antonio Vivaldi, Judith Nelson, Academy of Ancient Music, Simon Preston | B Major | 0 | 1B | 86 BPM | ||
Gideon, Pt. 3: Air. Let the Trumpet's Sound Inviting | George Frideric Handel, David Cordier, Barbara Hannigan, Stephan MacLeod, Linda Perillo, Knut Schoch, Nicola Wemyss, Junge Kantorei, Barockorchester Frankfurt, Joachim Carlos Martini | D Major | 1 | 10B | 77 BPM | ||
The King shall rejoice (Coronation Anthem No.3, HWV 260) | George Frideric Handel, The English Concert, Simon Preston, Trevor Pinnock, The Choir Of Westminster Abbey | D♭ Major | 2 | 3B | 113 BPM | ||
Giulio Cesare, HWV 17: Act III - "Piangerò" | Simone Kermes | E♭ Major | 0 | 5B | 97 BPM | ||
Concerto a 5 in C Major, Op. 9, No. 9: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 2 | 8A | 66 BPM | ||
Concerto Grosso in E Minor, Op. 3, No. 3: I. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | E Minor | 2 | 9A | 102 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (Second Verse) | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, The Philip Jones Brass Ensemble | A♭ Major | 3 | 4B | 124 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): I. Introitus - Kyrie | Wolfgang Amadeus Mozart, RIAS Kammerchor, René Jacobs, Freiburger Barockorchester | A Minor | 3 | 8A | 93 BPM |