"Composed Improvisation I." by John Cage, Matthias Kaul was released on November 20, 2015. Since Composed Improvisation I. is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 6 in Cage: Cage After Cage by John Cage, Matthias Kaul. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Composed Improvisation I. is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Composed Improvisation I. by John Cage, Matthias Kaul is Adagio (slowly with great expression), since this song has a tempo of 74 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Utwory w dawnym stylu (3 Pieces in Old Style): II. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 2 | 7B | 176 BPM | ||
A Morning in the Woods | Leo Ornstein, Janice Weber | B♭ Minor | 0 | 3A | 63 BPM | ||
Sonatas and Interludes for Prepared Piano: Sonata No. 5 | John Cage, Boris Berman | B Minor | 0 | 10A | 92 BPM | ||
Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM | ||
Wedding Preparation | Balanescu Quartet | F Major | 3 | 7B | 100 BPM | ||
Extended Circular Music No. 5 | Jürg Frey, Fabio Oehrli, Jonas Tschanz, Stefan Rolli | A♭ Major | 0 | 4B | 77 BPM | ||
The Revd Mustard his Installation Prelude | Nico Muhly, James McVinnie | D Major | 1 | 10B | 108 BPM | ||
Sequentia | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | E Minor | 0 | 9A | 139 BPM | ||
Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | A♭ Major | 2 | 4B | 105 BPM | ||
Wasserklavier | Luciano Berio, Tamara Anna Cislowska | D♭ Major | 0 | 3B | 134 BPM |