"Sequentia" by Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste was released on November 10, 2023. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 10 out of 14 in Arvo Pärt: Tractus by Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sequentia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sequentia by Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste is Allegro (fast, quick, and bright), since this song has a tempo of 139 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miroirs, M. 43: No. 3, Une barque sur l'océan | Maurice Ravel, Bruce Liu | F♯ Minor | 1 | 11A | 71 BPM | ||
Caledonian Market (Excerpts): No. 6, Musical Box | Irène Wieniawska, Jan Philip Schulze | D Major | 0 | 10B | 92 BPM | ||
Cantique des degrés | Arvo Pärt, Estonian Philharmonic Chamber Choir, Tallinn Chamber Orchestra, Tõnu Kaljuste | D♭ Major | 1 | 3B | 93 BPM | ||
Orgelbüchlein, BWV 599-644: Durch Adams Fall ist ganz verderbt, BWV 637 (Arr. Thomas) | Johann Sebastian Bach, Fred Thomas, Aisha Orazbayeva, Lucy Railton | D Minor | 0 | 7A | 135 BPM | ||
Three High Places (Double Bass Version): II. The Wind at Maclaren Summit | John Luther Adams, Robert Black | G Major | 0 | 9B | 99 BPM | ||
Piano & Violoncello 13 | Irena And Vojtech Havlovi | C Minor | 1 | 5A | 66 BPM | ||
I. Movement | Vladimir Martynov, Tatiana Grindenko | A Major | 2 | 11B | 120 BPM | ||
Greater Antiphons: IV. O Key of David | Arvo Pärt, Tallinn Chamber Orchestra, Tõnu Kaljuste | A Minor | 2 | 8A | 79 BPM | ||
Limestone & Felt | Caroline Shaw, Attacca Quartet | D Major | 0 | 10B | 147 BPM | ||
アラベスク 第1番(フルート&ピアノ / 萩森英明編曲) | Claude Debussy, Cocomi, Niu Niu | B♭ Major | 0 | 6B | 121 BPM |