"Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb" by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis was released on January 1, 2013. Since Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 49 in the song's album "The Messiah (Platinum Edition)". In this album, this song's track order is #26. Furthermore, we believe that the track originated from United States. In terms of popularity, Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messiah, HWV 56 / Pt. 3: Worthy Is The Lamb by George Frideric Handel, London Philharmonic Orchestra, London Philharmonic Choir, John Alldis having a テンポ of 98 with a half-time of 49 テンポ and a double-time of 196 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Ceremony Of Carols, Op. 28: There Is No Rose | Benjamin Britten, Sioned Williams, Harry Christophers | B♭ Major | 0 | 6B | 129 BPM | ||
Franck: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Choir of King's College, Cambridge, Tom Winpenny, Stephen Cleobury | A♭ Major | 1 | 4B | 79 BPM | ||
Fauré: 2 Songs, Op. 67: II. Ave Maria | Gabriel Fauré, Choir of King's College, Cambridge, Tom Winpenny, Stephen Cleobury | A♭ Major | 0 | 4B | 63 BPM | ||
Of the Father's heart begotten (Arr. David Willcocks) | Traditional (Piae Cantiones), Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin | E Major | 2 | 12B | 62 BPM | ||
The Holly & The Ivy | Anonymous, The Choir of Royal Holloway | C Minor | 2 | 5A | 87 BPM | ||
Concerto Grosso in G Minor, Op. 6, No. 6 HWV 324: III. Musette (Larghetto) | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, The English Concert, Trevor Pinnock | F Major | 1 | 7B | 87 BPM | ||
Lo! He Comes with Clouds Descending | Choir of St. John's College, Cambridge | G Major | 1 | 9B | 135 BPM | ||
All Creatures of Our God and King (Lasst Uns Erfreuen) | Ralph Vaughan Williams, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Major | 1 | 5B | 116 BPM | ||
Geistliches Lied Op. 30 | Chamber Choir Of Europe, Reinhard Geller, Johannes Brahms, Jens Wollenschläger, Nicol Matt | E♭ Major | 1 | 5B | 66 BPM | ||
Virga Jesse, WAB 52: Virga jesse floruit, WAB 52 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | G Major | 0 | 9B | 91 BPM |