"Geistliches Lied Op. 30" by Chamber Choir Of Europe, Reinhard Geller, Johannes Brahms, Jens Wollenschläger, Nicol Matt was released on December 20, 2006. With this song being about 5 minutes long, at 5:11, "Geistliches Lied Op. 30" by Chamber Choir Of Europe, Reinhard Geller, Johannes Brahms, Jens Wollenschläger, Nicol Matt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 12 in Complete Choral Works Part: 6 by Chamber Choir Of Europe. Geistliches Lied Op. 30 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Geistliches Lied Op. 30 by Chamber Choir Of Europe, Reinhard Geller, Johannes Brahms, Jens Wollenschläger, Nicol Matt is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: Introit (Requiem aeternam) - Kyrie eleison | Maurice Duruflé, Collegium Vocale Seoul | F Major | 2 | 7B | 70 BPM | ||
Magnificat in D Major, BWV 243: Deposuit potentes (Tenor) | Johann Sebastian Bach, Christine Schäfer, Ibolya Verebics, Ingeborg Danz, James Taylor, Thomas Quasthoff, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | F♯ Minor | 4 | 11A | 106 BPM | ||
Deitatis Majestatem: I. Deitatis Majestatem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, André Morsch | C Minor | 2 | 5A | 75 BPM | ||
Was mein Gott will, das g'scheh allzeit, BWV 111: No. 1, Was mein Gott will, das g'scheh' allzeit | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Messe, Mass No. 1 In D Minor, For Soloists, Choir and Orchestra: Sanctus | Chamber Choir Of Europe, Isabelle Müller-Kant, Württembergische Philharmonie Reutlingen, Anton Bruckner, Eibe Möhlmann, Reinhard Geller, Daniel Sans, Christof Fischesser, Nicol Matt | D Major | 2 | 10B | 81 BPM | ||
Te Deum laudamus pour deux choeurs et basse continue: I. Te Deum Laudamus | Domenico Scarlatti, Vox Luminis, Lionel Meunier | F♯ Major | 1 | 2B | 169 BPM | ||
Psalm 146, WAB 37: Solo and Chorus: Alleluja! Lobet den Herrn -Langsam | Anton Bruckner, Ania Vegry, Philharmonischer Chor München, Philharmonie Festiva, Gerd Schaller | A Major | 1 | 11B | 81 BPM | ||
Surrexit Christus a 11 (C66) | Giovanni Gabrieli, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 81 BPM | ||
Great Mass in C Minor K. 427: I. Kyrie | Wolfgang Amadeus Mozart, Chamber Choir Of Europe, Nicol Matt, Camerata Würzburg, Valentina Farcas, Annemarie Kremer, Jens Wollenschläger | C Minor | 1 | 5A | 81 BPM | ||
Am Morgen | Alexander Därr | D Major | 0 | 10B | 112 BPM |