"String Quintet in C Major, P. 108, MH 187: II. Adagio cantabile" by Michael Haydn, Salzburger Haydn-Quintett was released on March 3, 2015. Since String Quintet in C Major, P. 108, MH 187: II. Adagio cantabile is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Michael Haydn, Salzburger Haydn-Quintett's "Michael Haydn: Complete String Quintets" album is number 8 out of 25. String Quintet in C Major, P. 108, MH 187: II. Adagio cantabile is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quintet in C Major, P. 108, MH 187: II. Adagio cantabile by Michael Haydn, Salzburger Haydn-Quintett to be Adagio (slowly with great expression) because the track has a tempo of 67 テンポ, a half-time of 34テンポ, and a double-time of 134 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todes Banden, BWV 4: Aria. Jesu Christus, Gottes Sohn (Tenor) | Johann Sebastian Bach, Koki Katano, Bach Collegium Japan, Masaaki Suzuki | F Minor | 2 | 4A | 95 BPM | ||
Concertino per il Corno e Trombone, MH 86: I. Adagio | Michael Haydn, Martin Petrak, Fabrice Millischer, Haydn Ensemble Prague, Přemysl Vojta | G Major | 0 | 9B | 134 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Interlude | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Os Justi, WAB 30 | Anton Bruckner, Tenebrae, Nigel Short | C Major | 1 | 8B | 85 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Praeambulum in D | Heinrich Scheidemann, Bart Jacobs | D Minor | 1 | 7A | 71 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Missa in honorem Sanctae Ursulae, MH 546 "Chiemsee-Messe": IIIc. Credo. Et resurrexit tertia die | Michael Haydn, Carolyn Sampson, Hilary Summers, James Gilchrist, Choir of The King's Consort, Peter Harvey, Robert King, The King's Consort | D Major | 2 | 10B | 136 BPM |