"Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony)" by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner was released on January 1, 1983. The duration of Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's "Handel: Messiah" album is number 13 out of 51. In terms of popularity, Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony) by George Frideric Handel, English Baroque Soloists, John Eliot Gardiner to be Moderato (at a moderate speed) because the track has a tempo of 114 テンポ, a half-time of 57テンポ, and a double-time of 228 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Quatre Motets, Op.10: Ubi caritas et amor | Maurice Duruflé, Choir of New College, Oxford, Edward Higginbottom | E♭ Major | 0 | 5B | 91 BPM | ||
Josquin Des Pres: Ave Maria | Josquin des Prez, The Sixteen, Harry Christophers | D Minor | 2 | 7A | 89 BPM | ||
Messe de Minuit, H. 9: Gloria | Marc-Antoine Charpentier, Annick Massis, Magdalena Kozená, Eric Huchet, Patrick Henckens, Jean-Louis Bindi, Les Musiciens du Louvre, Marc Minkowski, Chorus Of Les Musiciens Du Louvre | C Major | 2 | 8B | 96 BPM | ||
Messiah, HWV 56 / Pt. 1: I.Symphony | George Frideric Handel, The English Concert, Trevor Pinnock | E♭ Minor | 1 | 2A | 94 BPM | ||
Sonata prima for Trumpet and Continuo: IV. (Allegro) | Giovanni Buonaventura Viviani, Maurice André, Hedwig Bilgram | C Major | 1 | 8B | 61 BPM | ||
Die Deutsche Liturgie, MWV B 57: IV. Ehre sei Gott in der Höhe | Felix Mendelssohn, Kammerchor Stuttgart, Frieder Bernius | F Major | 1 | 7B | 86 BPM | ||
Thou who wast rich beyond all splendour (Arr. Charles Herbert Kitson & Daniel Hyde) | Traditional, Choir of King's College, Cambridge, Daniel Hyde, Matthew Martin | E Major | 2 | 12B | 82 BPM | ||
Stözel / Arr Bach, JS: Notebook for Anna Magdalena Bach: 'Bist Du Bei Mir', BWV 508 | Gottfried Heinrich Stölzel, Xuefei Yang | C Major | 0 | 8B | 76 BPM | ||
Dancing Lights | Alexis Ffrench | A Minor | 1 | 8A | 51 BPM | ||
Carol: Lullay: I saw a swete semly syght | Anonymous , Anonymous 4 | A Minor | 0 | 8A | 168 BPM |