"Klavierkonzert Nr. 21, KV 467: II. Andante" by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt was released on September 14, 1998. Since Klavierkonzert Nr. 21, KV 467: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zeit für Zärtlichkeit by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt. The song's track number on the album is #6 out of 24 tracks. The popularity of Klavierkonzert Nr. 21, KV 467: II. Andante is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Klavierkonzert Nr. 21, KV 467: II. Andante by Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt has a tempo of 184 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Klavierkonzert Nr. 21, KV 467: II. Andante being at 184 テンポ, the half-time would be 92 テンポ with a double-time of 368 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Violin and Piano in E flat, Op.18: II. Improvisation (Andante cantabile) | Richard Strauss, Itzhak Perlman, Emanuel Ax | A♭ Major | 2 | 4B | 81 BPM | ||
Concerto for Trumpet and Orchestra E Flat Major: Finale- Allegro | Alberto Lizzio, Camerata Romana | E♭ Major | 2 | 5B | 140 BPM | ||
Scheherazade, Op. 35: No. 1, El mar y el barco de Simbad. Largo e maestoso - Allegro non troppo | Orquesta Sinfónica De Radio Ljubljana, Anton Nanut | E Major | 2 | 12B | 79 BPM | ||
Cello Concerto in B flat, G.482: 2. Adagio non Troppo | Luigi Boccherini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Minor | 1 | 6A | 90 BPM | ||
Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
Jazz Suite No.2: 2. Lyric Waltz | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | C Minor | 1 | 5A | 84 BPM | ||
Consolation No. 3 in D-Flat Major: Lento placido (feat. Sarah Ainsworth) | The Royal Festival Orchestra, Sarah Ainsworth | C Major | 0 | 8B | 139 BPM | ||
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits | Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra | D Minor | 1 | 7A | 67 BPM | ||
Spartacus: Adagio (arr. J. Galway for flute and piano) | James Galway, Aram Khachaturian, Kenneth Smith, Paul Rhodes | A♭ Major | 1 | 4B | 65 BPM | ||
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM |