"Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers" by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra had its release date on June 7, 2024. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra's "Guy Braunstein: Abbey Road Concerto" album is number 13 out of 20. On top of that, France appears to be the country where this track was created. The popularity of Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Abbey Road concerto for Violin and Orchestra: XIII. Golden Slumbers by Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra to be Vivace (lively and fast) because the track has a tempo of 170 テンポ, a half-time of 85テンポ, and a double-time of 340 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 1/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suíte Brasileira: Baião | André Mehmari, Anderson César Alves | D Major | 5 | 10B | 120 BPM | ||
Dunkelwelt Untersberg, 7. Sinfonie: III. Im Dunkel der Spiegelwelt | Enjott Schneider, Tonkünstler-Orchester, Alondra de la Parra | E Minor | 0 | 9A | 91 BPM | ||
Concerto No. 2 For Violin and Orchestra in F-Sharp Minor, Op. 19: I. Allegro | Henri Vieuxtemps, Orchestre Philharmonique Royal de Liège, Patrick Davin, Hrachya Avanesyan | F♯ Minor | 1 | 11A | 116 BPM | ||
Concerto No. 7 For Violin and Orchestra in A Minor, Op. 49: Andante sostenuto | Henri Vieuxtemps, Orchestre Philharmonique Royal de Liège, Patrick Davin, Harriet Langley | D Minor | 2 | 7A | 92 BPM | ||
Sandström: Sueño Macabros: IV Gatear en el la Mona Lisa | Jan Sandström, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 0 | 5B | 178 BPM | ||
Earth Wind and Fire | Aileen | D♭ Major | 1 | 3B | 105 BPM | ||
12 Romances, Op. 21: No. 7, How Fair this Spot (arr. for piano trio by Alexander Panfilov) | Sergei Rachmaninoff, Christoph Croisé, Andrey Baranov, Alexander Panfilov | C Major | 1 | 8B | 97 BPM | ||
IMMACULATE MOTHER VARIATIONS, Live - Music for Christ 2006 | Antonio Gabriel "Ariel" G. Arambulo, Ariel Arambulo | C Major | 2 | 8B | 91 BPM | ||
Sinfonía No. 2 (1993) | Federico Ibarra, Alondra de la Parra, Philharmonic Orchestra of the Americas | C Major | 3 | 8B | 83 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American" (Arr. G. Braunstein for Flute Quartet): II. Lento | Antonín Dvořák, Gili Schwarzman, Guy Braunstein, Amihai Grosz, Alisa Weilerstein | D Minor | 1 | 7A | 80 BPM |