"Come again, sweet love doth now invite" by John Dowland, Amarcord was released on 2006. The duration of Come again, sweet love doth now invite is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Come again, sweet love doth now invite's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "The Book of Madrigals". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Germany. Come again, sweet love doth now invite is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Come again, sweet love doth now invite by John Dowland, Amarcord having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Three Sacred Hymns: III. Vater unser | Alfred Schnittke, RIAS Kammerchor, Hans-Christoph Rademann | E♭ Major | 1 | 5B | 75 BPM | ||
Geistliche Chormusik: Die mit Tränen säen, SWV 378 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | B Minor | 1 | 10A | 68 BPM | ||
Sir John Souch His Galiard | Jordi Savall, John Dowland | C Major | 1 | 8B | 116 BPM | ||
Handel: Music for the Royal Fireworks, HWV 351: V. La Réjouissance | George Frideric Handel, Alison Balsom, Balsom Ensemble, Simon Wright | D♭ Major | 7 | 3B | 113 BPM | ||
Cantate Domino | Giuseppe Ottavio Pitoni | B♭ Major | 2 | 6B | 140 BPM | ||
Three Shakespeare Songs: III. Over Hill. Over Dale | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | A♭ Major | 4 | 4B | 118 BPM | ||
Scenes from the Saga of King Olaf, Op. 30: As Torrents in Summer | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM | ||
To Be Sung Of A Summer Night On The Water | Frederick Delius, Handel & Haydn Society, Grant Llewellyn | B♭ Major | 0 | 6B | 76 BPM | ||
Melancholy Galliard | Hopkinson Smith, John Dowland | A♭ Major | 1 | 4B | 80 BPM | ||
Forkladd gud, Op. 24: Vem spelar pa en pipa en lat av gryningsluft | Lars-Erik Larsson, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 0 | 5B | 101 BPM |