"Má vlast, JB 1:112: No. 2, Vltava (Die Moldau)" by Bedřich Smetana, Nikolaus Harnoncourt, Wiener Philharmoniker was released on August 31, 2003. Má vlast, JB 1:112: No. 2, Vltava (Die Moldau) appears to be safe for all ages as it is not explicit. There are a total of 6 in the song's album "Smetana: Ma Vlast". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Má vlast, JB 1:112: No. 2, Vltava (Die Moldau) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Má vlast, JB 1:112: No. 2, Vltava (Die Moldau) by Bedřich Smetana, Nikolaus Harnoncourt, Wiener Philharmoniker having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 2 in C Minor, Op. 18: 1. Moderato | Sergei Rachmaninoff, Zoltán Kocsis, San Francisco Symphony, Edo de Waart | G Major | 1 | 9B | 82 BPM | ||
Aquarellen, Op. 258 | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | C Major | 1 | 8B | 100 BPM | ||
Rinaldo / Act II: "Lascia ch'io pianga" (Arr. for Oboe, Harpsichord and Orchestra) | George Frideric Handel, Albrecht Mayer, Monika Razynska, Sinfonia Varsovia | F♯ Major | 3 | 2B | 133 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
Le carnaval des animaux: VII. Aquarium | Anonymous, Camille Saint-Saëns, Ferhan Önder, Ferzan Önder, Zurich Chamber Orchestra, Howard Griffiths | A Minor | 1 | 8A | 129 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
Le Carnaval des Animaux: Aquarium - Personnages à longues oreilles | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | D Minor | 0 | 7A | 140 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | E Minor | 0 | 9A | 143 BPM | ||
Ballszene | Joseph Hellmesberger, Mariss Jansons, Wiener Philharmoniker | E Major | 2 | 12B | 119 BPM |