The Dorian Horizon for 17 Strings

Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra
Takemitsu: Asterism, Requiem, Green & Dorian Horizon
9:03 1969日
テンポ
77
キー
B♭ Minor
キャメロットミュージックキー
3A

リンクを埋め込む

共有

The Dorian Horizon for 17 Strings - Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra 情報

音響性
43%
ダンサビリティ
17%
エネルギー
7%
手段性
10%
活気
55%
ラウドネス
58%
話し言葉
4%
価数
4%
人気
ラウドネス
-25.079 dB

まとめ

"The Dorian Horizon for 17 Strings" by Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra was released on 1969. Since The Dorian Horizon for 17 Strings is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 4 in the song's album "Takemitsu: Asterism, Requiem, Green & Dorian Horizon". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. The Dorian Horizon for 17 Strings is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

The Dorian Horizon for 17 Strings テンポ

With The Dorian Horizon for 17 Strings by Toru Takemitsu, Seiji Ozawa, Toronto Symphony Orchestra having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

The Dorian Horizon for 17 Strings キー

This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Clarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagio by Luciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel RaiskinClarinet Sonata No. 1 in F Minor, Op. 120 (orch. L. Berio): II. Andante un poco adagioLuciano Berio, Johannes Brahms, Karl-Heinz Steffens, Rhenish State Philharmonic Orchestra, Daniel RaiskinA♭ Major04B69 BPM
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca by Modest Mussorgsky, Ivo PogorelichPictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attaccaModest Mussorgsky, Ivo PogorelichD♭ Minor012A68 BPM
Officium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) Larghetto by György Kurtág, Parker QuartetOfficium breve in memoriam Andreae Szervánszky, Op. 28: 15. Arioso interrotto (di Endre Szervánszky) LarghettoGyörgy Kurtág, Parker QuartetC Major08B176 BPM
Après un Rêve Op.7, No.1 by Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji OzawaAprès un Rêve Op.7, No.1Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji OzawaF Minor14A96 BPM
Rothko Chapel 4 by Morton FeldmanRothko Chapel 4Morton FeldmanA Minor08A82 BPM
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1 by Johann Sebastian Bach, Sit FastDie Kunst der Fuge, BWV 1080: I. Contrapunctus 1Johann Sebastian Bach, Sit FastG Major99B138 BPM
The Unanswered Question by Charles Ives, New York Philharmonic, Leonard BernsteinThe Unanswered QuestionCharles Ives, New York Philharmonic, Leonard BernsteinC Major08B62 BPM
Quatuor pour la fin du temps: 1. Liturgie de cristal by Olivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel BarenboimQuatuor pour la fin du temps: 1. Liturgie de cristalOlivier Messiaen, Luben Yordanoff, Albert Tétard, Claude Desurmont, Daniel BarenboimG Major49B79 BPM
Piano Concerto, Op. 67 Piano Concerto, Op. 67 "Memo Flora": III. Bloom. AllegroTakashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, Kyoko TabeE♭ Major25B85 BPM
Concerto grosso no.1 (1976-77): 1. Preludio: Andante by Alfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich SchiffConcerto grosso no.1 (1976-77): 1. Preludio: AndanteAlfred Schnittke, Gidon Kremer, Tatiana Grindenko, Yuri Smirnov, Chamber Orchestra of Europe, Heinrich SchiffC Minor05A93 BPM
ISRC
USBC16900266
レコードレーベル
L-M Records/RCA Records