Federico Moreno Torroba, Ana Vidovic's 'Castillos de Espana II: No. 4. Siguenza' came out on July 31, 2007. With Castillos de Espana II: No. 4. Siguenza being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Federico Moreno Torroba, Ana Vidovic's "Moreno-Torroba: Guitar Music, Vol. 1" album is number 4 out of 24. Based on our statistics, Castillos de Espana II: No. 4. Siguenza's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Castillos de Espana II: No. 4. Siguenza by Federico Moreno Torroba, Ana Vidovic to be Allegro (fast, quick, and bright) because the track has a tempo of 127 テンポ, a half-time of 64テンポ, and a double-time of 254 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gavotte 2 - J.S. Bach | Robert Westaway | A Minor | 3 | 8A | 116 BPM | ||
Luisa Fernanda, X: Por El Amor De Un A Mujer Que Adoro... | Federico Romero, Ataúlfo Argenta, Gran Orquesta Sinfonica, Guillermo Fernandez Sahw, Federico Moreno Torroba | G Major | 4 | 9B | 91 BPM | ||
De Visée / Transcr. Garcia: Pièces de théorbe et de luth, Suite en la mineur: III. Courante | Robert de Visée, Thibaut García | A Minor | 0 | 8A | 83 BPM | ||
Les guitares bien temperees (The Well-Tempered Guitars): Preludes and Fugues, Op. 199: Fugue No. 4 in E Major | Mario Castelnuovo-Tedesco, Brasil Guitar Duo | E Major | 1 | 12B | 108 BPM | ||
Luisa Fernanda, II: De Este Apacible Rincon De Madrid | Federico Romero, Ataúlfo Argenta, Guillermo Fernandez Sahw, Federico Moreno Torroba, Gran Orquesta Sinfonica | E♭ Major | 1 | 5B | 108 BPM | ||
Castillos de España: Simancas | Federico Moreno Torroba, John Oeth | E Minor | 2 | 9A | 98 BPM | ||
Torroba: Madroños | Carlos Bonell | E Major | 2 | 12B | 100 BPM | ||
Aire vasco, Op. 19 | Antonio Jiménez Manjón, Andrea González Caballero | B Minor | 1 | 10A | 159 BPM | ||
Monte Carmelo: ¡Una Liga de Mujer!" | Federico Romero, Guillermo Fernández-Shaw, Federico Moreno Torroba, Gran Orquesta Sinfonica | F Major | 0 | 7B | 71 BPM | ||
Estudio Brillante de Alard | Philip Hemmo | A Major | 2 | 11B | 128 BPM |