"Goe from my window" by Richard Allison, Howard Bass, Ann Marie Morgan, Baltimore Consort was released on January 1, 1991. With this song being around four minutes long, at 4:05, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 6 out of 20 in Chamber Music (Renaissance) – D'Estree, J. / Johnson, J. / Ravenscroft, T. / Allison, R. / Morley, T. / Byrd, W. / Dowland, J. by Baltimore Consort. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Goe from my window is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Goe from my window by Richard Allison, Howard Bass, Ann Marie Morgan, Baltimore Consort is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide, LWV 71, Prologue: Entrée (I) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique | F Major | 1 | 7B | 139 BPM | ||
A Plaine song for 2 Lutes | Thomas Robinson, Ronn McFarlane, William Simms | G Major | 1 | 9B | 117 BPM | ||
Minuet in A Minor, BWV Anh. 120 | Johann Sebastian Bach, Mahan Esfahani | F♯ Major | 0 | 2B | 151 BPM | ||
Op.12, No.4: Canzon La Treccia | Tarquinio Merula, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM | ||
Guitar Sonata No. 12 in A Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
Suite in D Minor: V. Les derniers paroles | Vieux Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
Duets for 2 Lutes in a minor and F Major (Losy) - Allemande | Edward Martin and Paul Berget | A♭ Minor | 1 | 1A | 181 BPM | ||
Lute Sonata No. 9: III. Giga | Giovanni Zamboni, Luciano Còntini | D♭ Minor | 2 | 12A | 66 BPM | ||
Prelude 2 | Francesca Torelli, Charles Mouton | F Minor | 1 | 4A | 56 BPM | ||
The False Consonances of Musick, Aria I | Nicola Matteis, Gli Incogniti, Amandine Beyer | E Major | 2 | 12B | 129 BPM |