"Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live" by Mikhail Glinka, Mikhail Pletnev was released on April 12, 2024. With this song being about 5 minutes long, at 5:14, "Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live" by Mikhail Glinka, Mikhail Pletnev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Glinka: The Lark (L'Alouette, arr. Mily Balkirev) [Live] and no other songs are present in the album, we classify this track as a single. On top of that, Germany appears to be the country where this track was created. Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Glinka: The Lark (L'Alouette, arr. Mily Balkirev) - Live by Mikhail Glinka, Mikhail Pletnev to be Andante (at a walking pace) because the track has a tempo of 83 テンポ, a half-time of 42テンポ, and a double-time of 166 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Summer of '42 | Michel Legrand, Philippe Guilhon-Herbert | E♭ Minor | 1 | 2A | 75 BPM | ||
Grieg: Lyric Pieces, Book V, Op. 54: No. 6, Bell Ringing | Edvard Grieg, Walter Gieseking | C Major | 0 | 8B | 74 BPM | ||
6 Consolations, S. 172: No. 1 in E Major. Andante con moto | Franz Liszt, Lilya Zilberstein | D♭ Major | 0 | 3B | 133 BPM | ||
Lavignac: Galop-marche à huit mains (Arr. Lemoine for Piano 4-Hands) | Albert Lavignac, Alexandre Tharaud, Frank Braley | D Minor | 1 | 7A | 90 BPM | ||
Sonata romantica in B-flat Minor, Op. 53, No. 1: III. Meditazione : Andante con moto | Nikolai Medtner, Benjamin Bertin | F♯ Minor | 0 | 11A | 72 BPM | ||
Carnaval, Op.9: 5. Eusebius | Robert Schumann, Daniel Barenboim | A♭ Major | 2 | 4B | 150 BPM | ||
New York Skyline Melody, W 407 | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Good Morning, Good Fairy | Mia Brentano, Benyamin Nuss, Deutsches Filmorchester Babelsberg, Christian Köhler | E♭ Major | 1 | 5B | 68 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Intermezzo in A-Flat | Francis Poulenc, Marc-André Hamelin | A Major | 0 | 11B | 69 BPM |