"6 Consolations, S. 172: No. 1 in E Major. Andante con moto" by Franz Liszt, Lilya Zilberstein was released on January 1, 1996. With 6 Consolations, S. 172: No. 1 in E Major. Andante con moto being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Liszt, Lilya Zilberstein's "Liszt: Recital" album is number 3 out of 12. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 6 Consolations, S. 172: No. 1 in E Major. Andante con moto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 6 Consolations, S. 172: No. 1 in E Major. Andante con moto by Franz Liszt, Lilya Zilberstein to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
On an Overgrown Path, JW VIII/17, Book 1: No. 6, Words Fail! | Leoš Janáček, Lars Vogt | D♭ Major | 0 | 3B | 75 BPM | ||
Prelude in G-sharp minor, Op. 32, No. 12 | Sergei Rachmaninoff, Valentin Magyar | A Major | 1 | 11B | 85 BPM | ||
Sonata-ballada, Op. 27: II. Introduzione. Mesto | Nikolai Medtner | D♭ Minor | 1 | 12A | 95 BPM | ||
Balada de la Copa de los Tres Magos | Luciano Keys | F Major | 3 | 7B | 99 BPM | ||
Piano Sonata in F-Sharp Minor, D. 571 (Completed by G. Bruno): II. Scherzo. Allegro vivace, D. 570 | Franz Schubert, Giuseppe Bruno | F♯ Minor | 1 | 11A | 114 BPM | ||
Ice Giant, Pt. 2 | Lofi Mars | G Major | 3 | 9B | 141 BPM | ||
Ravel: Sonatine, M. 40: III. Animé | Maurice Ravel, Fazıl Say | F♯ Minor | 1 | 11A | 85 BPM | ||
2 Waltzes, Op. 153: No. 1. Allegro assai | Valentin Silvestrov, Elisaveta Blumina | G Minor | 2 | 6A | 192 BPM | ||
48 Esquisses, Op. 63, Book 2: No. 21, Morituri te salutant | Charles-Valentin Alkan, Steven Osborne | C Major | 0 | 8B | 73 BPM | ||
Risonanze: 3. Non troppo mosso | Gian Francesco Malipiero, Gianluca Cascioli | D Minor | 1 | 7A | 73 BPM |