Robert Woodcock, Ensemble Odyssee's 'Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II' had a release date set for May 18, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Woodcock: Concertos for Recorder & Oboe by Ensemble Odyssee. The song's track number on the album is #8 out of 30 tracks. Based on our data, Switzerland was the country where this track was produced or recorded. Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II by Robert Woodcock, Ensemble Odyssee has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Concerto No. 11 for Oboe in C Minor: IV. Minuets I & II being at 86 テンポ, the half-time would be 43 テンポ with a double-time of 172 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonates à violon ou flûte seule avec basse continue, Op. 14, Sonata 4: I. Allegro | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 2 | 4B | 99 BPM | ||
Suite Pour Orchestre N°2 BWV 1067: 6. Menuet | Johann Sebastian Bach, Orchestre De Chambre De Toulouse, Louis Auriacombe | B Minor | 2 | 10A | 117 BPM | ||
Harpsichord Concerto in A Major: I. Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A♭ Major | 7 | 4B | 74 BPM | ||
Violin Concerto in D Major, Op. 3, No. 5: I. Allegro | Carlo Tessarini, Fabrizio Ammetto, Orfeo Ensemble, L' | D Major | 3 | 10B | 127 BPM | ||
Sonata in D Major, Kk. 435 (Arr. for Accordion by Philippe Thuriot) | Domenico Scarlatti, Philippe Thuriot | E Major | 1 | 12B | 140 BPM | ||
Keyboard Concerto No. 2 in A Major, BR JCFB C 30a; Warb YC 91 (Arr. Mayer & Spindler for Oboe, Strings and Basso continuo): II. Andante ma non troppo (Cadenza: Mayer) | Albrecht Mayer, Johann Christoph Friedrich Bach, Berliner Barock Solisten | F Major | 1 | 7B | 137 BPM | ||
Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | B♭ Major | 1 | 6B | 126 BPM | ||
Trio Sonata in A Major, A01: I. Allegro Assai | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Minor | 0 | 1A | 78 BPM | ||
Céphale et Procris, Act III Scene 3: Passacaille | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | C Major | 2 | 8B | 78 BPM | ||
Concerto For Violin And Orchestra | Various Artists | D Major | 5 | 10B | 144 BPM |