Johann Sebastian Bach, Orchestre De Chambre De Toulouse, Louis Auriacombe's ' "Suite Pour Orchestre N°2 BWV 1067: 6. Menuet" was released on its scheduled release date, January 1, 2006. With This song being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Orchestre De Chambre De Toulouse, Louis Auriacombe's "J.S. Bach: Suites pour orchestre" album is number 13 out of 24. On top of that, France appears to be the country where this track was created. In terms of popularity, Suite Pour Orchestre N°2 BWV 1067: 6. Menuet is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Suite Pour Orchestre N°2 BWV 1067: 6. Menuet by Johann Sebastian Bach, Orchestre De Chambre De Toulouse, Louis Auriacombe to be Moderato (at a moderate speed) because the track has a tempo of 117 テンポ, a half-time of 58テンポ, and a double-time of 234 テンポ. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Himmelskonig, sei willkommen, BWV 182: Sonata | Johann Sebastian Bach, Regine Jurda, Maximilian Kiener, Franz Schlecht, Arcis-Vocalisten Munich, L'arpa Festante, Thomas Gropper | D Major | 8 | 10B | 102 BPM | ||
Sonata No. 12 in G Minor: III. Largo | Francesco Mancini, Claudio Ferrarini | E Minor | 2 | 9A | 112 BPM | ||
Trumpet Sonata in D Major: VI. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 0 | 1B | 71 BPM | ||
Concerto Armonico No. 2 in B-Flat Major: Largo andante | Unico Wilhelm van Wassenaer, Aradia Ensemble, Kevin Mallon | E Major | 1 | 12B | 106 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM | ||
Hasse: Demofoonte, Sinfonia: III. Presto | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 3 | 3B | 159 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 6, La noble fierté | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Trio Sonata in A Major, A03: I. Andante | Giuseppe Tartini, Maurizio Schiavo, Ayako Matsunaga, Antonio Papetti, Danilo Costantini, Il Demetrio | A♭ Major | 0 | 4B | 61 BPM | ||
Bilagers musiquen (Royal wedding music), BeRI 2, "Drottningholmsmusique": Allegretto | Johan Helmich Roman, Drottningholm Baroque Ensemble, Nils-Erik Sparf | D♭ Major | 0 | 3B | 110 BPM |