"Violin Concerto No. 1: I. Moderato" by John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève was released on April 26, 2024. Violin Concerto No. 1: I. Moderato appears to be safe for all ages as it is not explicit. The song is number 6 out of 8 in Bernstein: Serenade - Williams: Violin Concerto No. 1 by James Ehnes, St. Louis Symphony, Stéphane Denève. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Violin Concerto No. 1: I. Moderato's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto No. 1: I. Moderato by John Williams, James Ehnes, St. Louis Symphony, Stéphane Denève is Allegro (fast, quick, and bright), since this song has a tempo of 122 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto: III. Electric | Christopher Schmitz, Amy Schwartz Moretti, London Symphony Orchestra, Stefan Sanderling | D Minor | 1 | 7A | 89 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
City Noir: II. The Song Is for You | John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop | F Major | 1 | 7B | 67 BPM | ||
Danzas fantásticas, Op. 22: No. 3, Orgía (Arr. for Piano & String Orchestra by Roberto Coll) | Joaquín Turina, Concerto Málaga, Gil De Gálvez | D Major | 1 | 10B | 109 BPM | ||
D'un matin de printemps | Lili Boulanger, Orchestre National De Lyon, Nikolaj Szeps-Znaider | C Major | 1 | 8B | 142 BPM | ||
String Quartet No. 2 in F Major, Op. 22: IV. Allegro con moto | Pyotr Ilyich Tchaikovsky, Dudok Quartet Amsterdam | C Major | 4 | 8B | 146 BPM | ||
Daphnis et Chloé, Suite No. 2, M. 57b: I. Lever du jour | Maurice Ravel, Sir Simon Rattle, London Symphony Orchestra | E Minor | 1 | 9A | 78 BPM | ||
Viola Concerto: I. Andante comodo | William Walton, Lawrence Power, Ilan Volkov, BBC Scottish Symphony Orchestra | A Minor | 1 | 8A | 139 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Paria, Act I (Ed. Włodzimierz Ormicki): Introduction | Stanisław Moniuszko, Poznań Opera House Orchestra, Jacek Kaspszyk | C Major | 0 | 8B | 99 BPM |