"The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden" by Jugendchor und Orchester Mönchen-Gladbach was released on 1998. With The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "The Magic Flute (Zauberflöte); The Marriage Of Figaro (Die Hochzeit des Figaro); Iomeneo - Cosi Fan Tutte". In this album, this song's track order is #4. The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Magic Flute, Chor der drei Grazien: Bald prangt der Morgen zu verkuenden by Jugendchor und Orchester Mönchen-Gladbach having a テンポ of 74 with a half-time of 37 テンポ and a double-time of 148 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kung Liljekonvalje | David Wikander, Stockholms Studentsångare, Einar Ralf | B Minor | 0 | 10A | 140 BPM | ||
In Windsor Forest: No. 1, The Conspiracy | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron | E Minor | 1 | 9A | 72 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
17. Strephon's a member of Parliament | Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 2 | 8B | 78 BPM | ||
Chausson: Le Charme | Gérard Souzay | E♭ Major | 1 | 5B | 98 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
L'Europa riconosciuta: Quando più irato freme (Semele) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | F Major | 2 | 7B | 129 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Elijah, Op. 70: "Thanks Be to God!" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | E♭ Major | 1 | 5B | 116 BPM | ||
The Pirates of Penzance: When Fred'ric Was a Little Lad | Susan Gorton | C Major | 1 | 8B | 59 BPM |