Eastman Wind Ensemble made "English Folk Song Suite: I. March - Seventeen come Sunday" available on April 5, 2010. The duration of English Folk Song Suite: I. March - Seventeen come Sunday is about 3 minutes long, at 3:12. Based on our data, "English Folk Song Suite: I. March - Seventeen come Sunday" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 19 in English Wind Band Classics by Eastman Wind Ensemble. Based on our statistics, English Folk Song Suite: I. March - Seventeen come Sunday's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of English Folk Song Suite: I. March - Seventeen come Sunday by Eastman Wind Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il trovatore, Act III: "Dì quella pira" (Arr. E. Kunzel & C. Beck) | Giuseppe Verdi, Cincinnati Pops Orchestra, Erich Kunzel | C Major | 2 | 8B | 118 BPM | ||
Southern Harmony: I. The Midnight Cry | Donald Grantham, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 2 | 4B | 66 BPM | ||
The Rakes Of Mallow - Mono | Leroy Anderson | G Major | 4 | 9B | 78 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): VI. Were diu werlt alle min (Were the world all mine) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | C Major | 3 | 8B | 71 BPM | ||
Symphonic Suite: II. Chorale | Clifton Williams, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 0 | 4B | 74 BPM | ||
L'Histoire du Soldat (The Soldier's Tale) - Part I: Narration | Igor Stravinsky, Eastman Wind Ensemble, Jan Opalach, Mark Scatterday | D Major | 5 | 10B | 114 BPM | ||
Semper Paratus Always Ready | United States Coast Guard Band | A♭ Major | 5 | 4B | 119 BPM | ||
Dance Movements: II. Molto Vivo (for the woodwinds) | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 1 | 10B | 114 BPM | ||
Ye Banks And Braes O' Bonnie Doon | Percy Grainger, Slovak Radio Symphony Orchestra | F Major | 1 | 7B | 78 BPM | ||
Frienship | Oscar Vega | G Major | 5 | 9B | 121 BPM |