"3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel" by Arnold Schoenberg, Glenn Gould was released on 1959. The duration of 3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. 3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Arnold Schoenberg, Glenn Gould's "Glenn Gould plays Schoenberg: Klavierstücke opp. 11, 19, 23, 33; Piano Suite op. 25; Piano Concerto op. 42; Fantasy for Violin & Piano op. 47; Ode to Napoleon Buonaparte op. 41; Lieder opp. 1; 2; 3; 6; 12; 14; 15; 48" album is number 3 out of 72. In terms of popularity, 3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 3 Klavierstücke, Op. 11: No. 3, Bewegte Achtel by Arnold Schoenberg, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 107 テンポ, a half-time of 54テンポ, and a double-time of 214 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Venezia e Napoli, S. 162: Supplément aux Années de pèlerinage II: III. Tarantella | Franz Liszt, Lazar Berman | F Minor | 1 | 4A | 135 BPM | ||
Schoenberg: 3 Piano Pieces, Op. 11: No. 2 Mässig (Achtel) | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 0 | 6B | 134 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro | Ludwig van Beethoven, Glenn Gould | F Minor | 1 | 4A | 164 BPM | ||
Piano Sonata No. 2 in B-Flat Minor, Op. 35: IV. Finale | Frédéric Chopin, Martha Argerich | B♭ Minor | 0 | 3A | 89 BPM | ||
3 Intermezzi, Op. 117: No. 3 in C-Sharp Minor, Andante con moto | Johannes Brahms, Glenn Gould | E♭ Minor | 0 | 2A | 79 BPM | ||
Elf kurze Stücke: No. 11 in E Major | Anton Webern, Jean-Jacques Dünki | E Major | 0 | 12B | 74 BPM | ||
Piano Trio in D minor, Op. 120: 1. Allegro, ma non troppo | Gabriel Fauré, Beaux Arts Trio | E Major | 0 | 12B | 108 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Verklärte Nacht, Op. 4 - Version For String Sextet: III. Schwer betont | Arnold Schoenberg, LaSalle Quartet, Donald McInnes, Jonathan Pegis | D Major | 1 | 10B | 86 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: I. Grave | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Minor | 1 | 7A | 174 BPM |