Ludwig van Beethoven, Glenn Gould made "Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro" available on 1965. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Ludwig van Beethoven, Glenn Gould's "Glenn Gould plays Beethoven: Piano Sonatas Nos. 1-3; 5-10; 12-14; 15-18; 23; 30-32" album is number 1 out of 67. On top of that, United States appears to be the country where this track was created. The popularity of Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Piano Sonata No. 1 in F Minor, Op. 2 No. 1: I. Allegro by Ludwig van Beethoven, Glenn Gould to be Vivace (lively and fast) because the track has a tempo of 164 テンポ, a half-time of 82テンポ, and a double-time of 328 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Piano Sonata No. 11 in A Major, K. 331: I. Tema con variazione. Andante grazioso | Wolfgang Amadeus Mozart, Glenn Gould | A Major | 1 | 11B | 100 BPM | ||
Nocturne No.11 in E Flat Major, H.56 | John Field, Elizabeth Joy Roe | E♭ Major | 1 | 5B | 67 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Beethoven: 12 Contredanses, WoO 14: No. 10 in C Major | Ludwig van Beethoven, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 169 BPM | ||
Kamarinskaya (Air russe varie) | John Field, Miceal O'Rourke | B♭ Major | 1 | 6B | 92 BPM | ||
6 Consolations, S. 172: No. 3 in D flat major (Lento, placido) | Franz Liszt, Nelson Freire | A♭ Major | 0 | 4B | 75 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM |