"Hungarian Dances from 16th century tablatures: Ungaresca - Allemande - Ein Ander Teuttscher Tanntz" by August Nörmiger, Pierre Phalèse, Jacob Paix, Istvan Ella, Janos Sebestyen was released on July 15, 2014. With this song being around four minutes long, at 4:29, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 12 out of 13 in Cherubini / Galuppi / Pasquini / Banchieri / Wesley: Music for 2 Organs by Luigi Celeghin, Istvan Ella, Janos Sebestyen. Going off of the ISRC code of this track, we detected that the origin of this track is from Hungary. Hungarian Dances from 16th century tablatures: Ungaresca - Allemande - Ein Ander Teuttscher Tanntz is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hungarian Dances from 16th century tablatures: Ungaresca - Allemande - Ein Ander Teuttscher Tanntz by August Nörmiger, Pierre Phalèse, Jacob Paix, Istvan Ella, Janos Sebestyen is Adagio (slowly with great expression), since this song has a tempo of 76 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: a. Respond. Tristis est anima mea | Carlo Gesualdo, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 88 BPM | ||
Missa ex B: XXVII. Agnus Dei II - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | G Minor | 1 | 6A | 121 BPM | ||
Elf Choralvorspiele, Op. 122: Nr. 8 Es ist ein Ros' entsprungen | Johannes Brahms, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
Versi sopra la messa che si canta nelle domeniche dell'anno: IV. Agnus dei | Giovanni Salvatore, Nova Schola Gregoriana, In Dulci Jubilo, Federico del Sordo, Alberto Turco | D♭ Major | 1 | 3B | 92 BPM | ||
Hungarian Dances from 16th century tablatures: Ungaresca - Allemande - Ein Ander Teuttscher Tanntz | August Nörmiger, Pierre Phalèse, Jacob Paix, Istvan Ella, Janos Sebestyen | G Major | 1 | 9B | 76 BPM | ||
Vaga luna | Vincenzo Bellini, Odile Bruckert, Ghislaine Petit Volta | A Major | 0 | 11B | 48 BPM | ||
Adoramus te, Christe | The Royal Wind Music | D♭ Major | 0 | 3B | 75 BPM | ||
Missa Quadragesimalis, MH 552: Dona nobis pacem | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 2 | 12B | 129 BPM | ||
Jubilate, o amoeni chori, RV 639 - Gloria in D Major, RV 588: VII. Domine Deus, Agnus Dei: Allegro | Antonio Vivaldi, Jane Archibald, Nils Brown, Anita Krause, Aradia Chorus, Aradia Ensemble, Kevin Mallon | D Major | 3 | 10B | 120 BPM | ||
Gagliarda Prima detta la Galante | The Royal Wind Music | A♭ Minor | 0 | 1A | 66 BPM |