Orfeo ed Euridice / Act 2: Ballo (Andante)

Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti
Gluck: Orfeo ed Euridice
3:48 1970年1月1日
テンポ
158
キー
A Major
キャメロットミュージックキー
11B

リンクを埋め込む

共有

Orfeo ed Euridice / Act 2: Ballo (Andante) - Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti 情報

音響性
92%
ダンサビリティ
23%
エネルギー
43%
手段性
76%
活気
11%
ラウドネス
70%
話し言葉
4%
価数
44%
人気
ラウドネス
-17.774 dB

まとめ

Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti made "Orfeo ed Euridice / Act 2: Ballo (Andante)" available on January 1, 1970. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Christoph Willibald Gluck, Marilyn Horne, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti's "Gluck: Orfeo ed Euridice" album is number 11 out of 25. Based on our statistics, Orfeo ed Euridice / Act 2: Ballo (Andante)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Orfeo ed Euridice / Act 2: Ballo (Andante) テンポ

We consider the tempo marking of Orfeo ed Euridice / Act 2: Ballo (Andante) by Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti to be Vivace (lively and fast) because the track has a tempo of 158 テンポ, a half-time of 79テンポ, and a double-time of 316 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 3/4.

Orfeo ed Euridice / Act 2: Ballo (Andante) キー

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Das Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881 by Johann Sebastian Bach, András SchiffDas Wohltemperierte Klavier: Book 2, BWV 870-893: Präludium f-Moll, BWV 881Johann Sebastian Bach, András SchiffF Minor04A70 BPM
Thaïs: Médiation by Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence FosterThaïs: MédiationJules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence FosterD Major010B91 BPM
Pelléas et Mélisande, Op.80: 3. Sicilienne by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerPelléas et Mélisande, Op.80: 3. SicilienneGabriel Fauré, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor06A111 BPM
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) by Péter Nagy, Johannes Brahms5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy)Péter Nagy, Johannes BrahmsE♭ Major05B134 BPM
12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano) by Sergei Rachmaninoff, Sergei Babayan12 Songs, Op. 21: V. Lilacs (Transcr. Rachmaninoff for Solo Piano)Sergei Rachmaninoff, Sergei BabayanA♭ Major04B78 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) by Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-MasonA Major111B89 BPM
Capriccio brillant, Op. 22: Andante by Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony OrchestraCapriccio brillant, Op. 22: AndanteFelix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony OrchestraB Major01B91 BPM
Adagio by Alessandro Marcello, Martin StadtfeldAdagioAlessandro Marcello, Martin StadtfeldD Minor07A91 BPM
Lohengrin: Prelude by Richard Wagner, Slovak Philharmonic, Michael HalaszLohengrin: PreludeRichard Wagner, Slovak Philharmonic, Michael HalaszA Major011B75 BPM
Le Rossignol-en-Amour: 14ème ordre, 3ème livre by François Couperin, Iddo Bar-ShaïLe Rossignol-en-Amour: 14ème ordre, 3ème livreFrançois Couperin, Iddo Bar-ShaïA Major011B65 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records