Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant"

Emmerich Kálmán, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Vienna State Opera Orchestra
Beliebte Operettenmelodien
2:36 2010年9月1日
テンポ
97
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" - Emmerich Kálmán, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Vienna State Opera Orchestra 情報

音響性
95%
ダンサビリティ
32%
エネルギー
36%
手段性
59%
活気
63%
ラウドネス
80%
話し言葉
3%
価数
53%
人気
ラウドネス
-11.868 dB

まとめ

Emmerich Kálmán, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Vienna State Opera Orchestra made "Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant"" available on September 1, 2010. The duration of Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 32 in Beliebte Operettenmelodien by Various Artists. In terms of popularity, Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.

Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" テンポ

The tempo marking of Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" by Emmerich Kálmán, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Vienna State Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" キー

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Gräfin Mariza, Act II: Gräfin Mariza, Act II: "Herrgott, was ist den heut' los" - "Einmal möchte ich wieder tanzen" (Tassilo, Mariza)Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal, Sena JurinazA Major311B74 BPM
La belle Hélène: Overture by Jacques Offenbach, Orchestre National de Lille, Darrell AngLa belle Hélène: OvertureJacques Offenbach, Orchestre National de Lille, Darrell AngA Major211B82 BPM
Tales from Hofmann Barcarole by Frank Shipway, Royal Philharmonic OrchestraTales from Hofmann BarcaroleFrank Shipway, Royal Philharmonic OrchestraD Major010B141 BPM
The Gypsy Princess (Die Csárdásfürstin): Einleitung - The Gypsy Princess (Die Csárdásfürstin): Einleitung - "Die Mädis vom Chantant"Emmerich Kálmán, Willy Hofmann, Renate Holm, Benno Kusche, Herta Talmar, Grosses Operetten Orchester, Franz MarszalekF Major27B107 BPM
Champagner Galopp by Hans Christian Lumbye, Wiener SalonorchesterChampagner GaloppHans Christian Lumbye, Wiener SalonorchesterA Major311B108 BPM
Glocken-Polka und Galopp by Joseph Hellmesberger, Jr., Franz Welser-Möst, Wiener PhilharmonikerGlocken-Polka und GaloppJoseph Hellmesberger, Jr., Franz Welser-Möst, Wiener PhilharmonikerE Major212B171 BPM
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände by Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz MarszalekViktoria und ihr Husar: Reich' mir zum Abschied noch einmal die HändePaul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz MarszalekB♭ Major36B110 BPM
Venetianer-Galopp, Op. 74 by Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst MärzendorferVenetianer-Galopp, Op. 74Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst MärzendorferB Major31B159 BPM
Frag Mich Nicht, Warum Ich Gehe by Hermosa BoyleFrag Mich Nicht, Warum Ich GeheHermosa BoyleE♭ Major25B150 BPM
Die Zirkusprinzessin - operetta in 3 Acts: Wo ist der Himmel so blau wie in Wien by Emmerich Kálmán, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz MarszalekDie Zirkusprinzessin - operetta in 3 Acts: Wo ist der Himmel so blau wie in WienEmmerich Kálmán, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz MarszalekD Major310B82 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records