Emmerich Kálmán, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Vienna State Opera Orchestra made "Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant"" available on September 1, 2010. The duration of Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 32 in Beliebte Operettenmelodien by Various Artists. In terms of popularity, Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Die Czardasfüsrstin, Act I: "Die Mädis vom Chantant" by Emmerich Kálmán, Chor und Orchester der Wiener Staatsoper, Franz Bauer-Theussl, Karl Terkal, Vienna State Opera Orchestra is Andante (at a walking pace), since this song has a tempo of 97 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gräfin Mariza, Act II: "Herrgott, was ist den heut' los" - "Einmal möchte ich wieder tanzen" (Tassilo, Mariza) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal, Sena Jurinaz | A Major | 3 | 11B | 74 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Tales from Hofmann Barcarole | Frank Shipway, Royal Philharmonic Orchestra | D Major | 0 | 10B | 141 BPM | ||
The Gypsy Princess (Die Csárdásfürstin): Einleitung - "Die Mädis vom Chantant" | Emmerich Kálmán, Willy Hofmann, Renate Holm, Benno Kusche, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | F Major | 2 | 7B | 107 BPM | ||
Champagner Galopp | Hans Christian Lumbye, Wiener Salonorchester | A Major | 3 | 11B | 108 BPM | ||
Glocken-Polka und Galopp | Joseph Hellmesberger, Jr., Franz Welser-Möst, Wiener Philharmoniker | E Major | 2 | 12B | 171 BPM | ||
Viktoria und ihr Husar: Reich' mir zum Abschied noch einmal die Hände | Paul Abraham, Sandor Konya, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | B♭ Major | 3 | 6B | 110 BPM | ||
Venetianer-Galopp, Op. 74 | Johann Strauss I, Slovak Sinfonietta, Zilina, Ernst Märzendorfer | B Major | 3 | 1B | 159 BPM | ||
Frag Mich Nicht, Warum Ich Gehe | Hermosa Boyle | E♭ Major | 2 | 5B | 150 BPM | ||
Die Zirkusprinzessin - operetta in 3 Acts: Wo ist der Himmel so blau wie in Wien | Emmerich Kálmán, Reinhold Bartel, Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 82 BPM |