"Pour une bergere infidelle" by Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot was released on March 22, 2024. The duration of Pour une bergere infidelle is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Pour une bergere infidelle's duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Bertrand de Bacilly: Pour une bergere infidelle and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Pour une bergere infidelle is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Pour une bergere infidelle by Bertrand de Bacilly, Les Musiciens De Saint-Julien, François Lazarevitch, Julie Roset, Lucile Richardot is Andante (at a walking pace), since this song has a tempo of 86 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Primo libro de' madrigali, Op. 1: Volano frettolosi | Barbara Strozzi, La Venexiana, Claudio Cavina | F Major | 1 | 7B | 178 BPM | ||
Allemande | François Dufaut, Bertrand de Bacilly, Ensemble A Deux Violes Esgales | A Major | 0 | 11B | 109 BPM | ||
Matthäus-Passion, BWV 244, Prima parte: Nr.6. Aria "Buß und Reu" | Johann Sebastian Bach, Raphael Pichon, Ensemble Pygmalion, Lucile Richardot | A♭ Minor | 0 | 1A | 98 BPM | ||
Pieces de violes avec la basse chifree: Suite No. 1 in E Minor: III. Courante | François Couperin, Mikko Perkola, Aapo Häkkinen | D♭ Major | 0 | 3B | 86 BPM | ||
Pavin | Innocentio Alberti, Fretwork | F Major | 2 | 7B | 68 BPM | ||
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Geistliche Chormusik, Op. 11, SWV 369-397: So fahr ich hin, SWV 379 | Heinrich Schütz, Ricercar Consort, Philippe Pierlot, Hanna Bayodi-Hirt, Yetzabel Arias, Olivier Coiffet, Hugo Hymas, Matthias Vieweg | G Minor | 2 | 6A | 117 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Gaillardes | Michael Praetorius, Les Musiciens De Saint-Julien, François Lazarevitch | G Minor | 2 | 6A | 163 BPM |