Claude Debussy, The Choir of Magdalen College, Oxford, Mark Williams's '3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder !' came out on April 22, 2022. The duration of 3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder ! is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. 3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder !'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Sweet and Merry Month: Music for May Morning". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. The popularity of 3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder ! is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Chansons de Charles d'Orléans, L. 92: No. 1, Dieu ! Qu’il la fait bon regarder ! by Claude Debussy, The Choir of Magdalen College, Oxford, Mark Williams having a テンポ of 182 with a half-time of 91 テンポ and a double-time of 364 テンポ, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Flute Sonata in E-Flat Major, BWV 1031: II. Siciliano (arr. I. Friedman for piano) | Ignaz Friedman, Johann Sebastian Bach, Joseph Banowetz | G Minor | 0 | 6A | 73 BPM | ||
Suite in D Minor, HWV 447: Allemande | George Frideric Handel, David Greilsammer | D Minor | 1 | 7A | 74 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
3 Compositions, Op. 40: No. 2, Berceuse | Amy Beach, Rachel Barton Pine, Matthew Hagle | D Major | 0 | 10B | 87 BPM | ||
Le Carnaval des Animaux, R.125: 4. Tortues | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | B♭ Major | 0 | 6B | 83 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Dolly Suite, Op. 56: I. Berceuse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E Major | 0 | 12B | 62 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM |