Dmitry Kabalevsky, Hsin-Ni Liu, Russian Philharmonic Orchestra, Dmitry Yablonsky's 'Piano Concerto No. 3 in D Major, Op. 50: I. Allegro molto' came out on June 24, 2008. Since Piano Concerto No. 3 in D Major, Op. 50: I. Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Dmitry Kabalevsky, Hsin-Ni Liu, Dmitry Yablonsky's "Kabalevsky: Piano Concerto No. 3 / Rimsky-Korsakov: Piano Concerto" album is number 1 out of 6. In terms of popularity, Piano Concerto No. 3 in D Major, Op. 50: I. Allegro molto is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 3 in D Major, Op. 50: I. Allegro molto by Dmitry Kabalevsky, Hsin-Ni Liu, Russian Philharmonic Orchestra, Dmitry Yablonsky to be Andante (at a walking pace) because the track has a tempo of 101 テンポ, a half-time of 50テンポ, and a double-time of 202 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pierette air de ballet, Op. 41 | Cécile Chaminade, Mark Viner | E♭ Major | 1 | 5B | 123 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Rachmaninov: 6 Moments Musicaux, Op. 16: No. 5 in D-Flat Major | Sergei Rachmaninoff, Nikolai Lugansky | F♯ Major | 0 | 2B | 68 BPM | ||
2 Sketches: A Northern Dance | Adam Carse, Royal Northern Sinfonia, David Lloyd-Jones | A Minor | 2 | 8A | 136 BPM | ||
Suite bergamasque, L. 75 (Arr. for Orchestra): IV. Passepied | クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル | D Major | 1 | 10B | 66 BPM | ||
Violin Concerto No. 1 in D Major, Op. 6: II. Adagio | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 1 | 10A | 125 BPM | ||
Sonata in D Minor, K141 | Domenico Scarlatti, Joyce Yang | D Minor | 1 | 7A | 140 BPM | ||
Sonata For Flute & Piano In C Major: Allegro cantabile | Otar Taktakishvili, Eva Kupiec, Marina Piccinini | C Major | 1 | 8B | 102 BPM | ||
Bériot: Scène de ballet, Op. 100 | Charles-Auguste de Bériot, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Major | 2 | 11B | 102 BPM | ||
Cello Concerto No. 1 in G Minor, Op. 49: II. Largo, molto espressivo | Dmitry Kabalevsky, Eugene Ormandy, Philadelphia Orchestra | B Major | 1 | 1B | 89 BPM |