クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル's 'Suite bergamasque, L. 75 (Arr. for Orchestra): IV. Passepied' had a release date set for May 3, 2011. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 16 in Debussy: Orchestral Works, Vol. 6 by クロード・ドビュッシー, Jun Markl, 準・メルクル. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Suite bergamasque, L. 75 (Arr. for Orchestra): IV. Passepied is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Suite bergamasque, L. 75 (Arr. for Orchestra): IV. Passepied by クロード・ドビュッシー, フランス国立リヨン管弦楽団, 準・メルクル is Larghetto (rather broadly), since this song has a tempo of 66 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 2: Danse bohème. Andante quasi Allegretto (Act II) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D♭ Minor | 4 | 12A | 129 BPM | ||
4 Impromptus Op.142, D.935: No.4 in F Minor: Allegro scherzando | Franz Schubert, Radu Lupu | F Minor | 1 | 4A | 119 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Quiet City | Aaron Copland, Celia Nicklin, Michael Laird, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 70 BPM | ||
Capriccio espagnol, Op. 34: IV. Scena e canto gitano | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Siegfried: Waldweben | Richard Wagner, Simón Bolívar Symphony Orchestra Of Venezuela, Gustavo Dudamel | E Major | 1 | 12B | 65 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, London Symphony Orchestra, Sir Colin Davis | E♭ Major | 1 | 5B | 72 BPM | ||
Legende | Frederick Delius, Andrew Davis, BBC Philharmonic, Tasmin Little | A♭ Major | 1 | 4B | 86 BPM | ||
Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
Symphony in D Minor, FWV 48 (Remastered): III. Finale - Allegro non troppo | César Franck, Pierre Monteux, Chicago Symphony Orchestra | D Major | 2 | 10B | 84 BPM |