Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev made "The Sleeping Beauty, Op. 66, TH.13 / Act 1: 6. Valse" available on January 1, 1994. With this song being about 5 minutes long, at 4:46, "The Sleeping Beauty, Op. 66, TH.13 / Act 1: 6. Valse" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 28 in the song's album "Tschaikowsky, Dornröschen". In this album, this song's track order is #28. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, The Sleeping Beauty, Op. 66, TH.13 / Act 1: 6. Valse is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With The Sleeping Beauty, Op. 66, TH.13 / Act 1: 6. Valse by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a テンポ of 100 with a half-time of 50 テンポ and a double-time of 200 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
Prélude in E minor, Op. 28, No. 4 | Frédéric Chopin, Janusz Olejniczak | E Minor | 0 | 9A | 63 BPM | ||
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Concert Paraphrase on 'Eugene Onegin', Op. 81 - Duo-Art 6459 | Paul Pabst, Pyotr Ilyich Tchaikovsky, Tina Lerner, Peter Phillips | D Major | 2 | 10B | 78 BPM | ||
Holberg Suite, Op. 40: IV. Air (Andante religioso) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 0 | 6B | 86 BPM | ||
Coriolan, Op. 62: Overture | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | F Minor | 2 | 4A | 76 BPM | ||
Zigeunerweisen, Op. 20: II. Lento | Pablo de Sarasate, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | C Minor | 1 | 5A | 101 BPM | ||
Liebestraum (Love Dream) | Franz Liszt, Michael Krücker | A♭ Major | 1 | 4B | 70 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM |