Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling's 'La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)' came out on 2002. The duration of La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Puccini : La Bohème". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi)'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With La bohème (2002 Digital Remaster), Act Two: Chi l'ha richiesto? (Colline/Schaunard/Rodolfo/Coro/Marcello/Musetta/Mimi) by Sir Thomas Beecham, Lucine Amara, RCA Victor Chorus, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, Victoria de los Ángeles, John Reardon, Jussi Björling having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (a) Presto - Allegro assai | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | D Major | 0 | 10B | 71 BPM | ||
The Snow Maiden, Op. 12: XIII. Dance Of The Tumblers | Moscow Symphony Orchestra, Elena Okolysheva, Arkady Mishenkin, Moscow Capella, Pyotr Ilyich Tchaikovsky | A Major | 3 | 11B | 176 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Minor | 1 | 4A | 75 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Divertmento In D Major - Allegro | Essential Band | G Minor | 1 | 6A | 88 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 1 (orch. J. Brahms) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 2 | 6A | 135 BPM | ||
Lohengrin: Bridal Chorus | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | B♭ Major | 1 | 6B | 70 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM |