John Tavener, Elena Riu's 'Ypakoë: Ypakoë: II. Let All Mortal Flesh Keep Silent' came out on January 1, 2000. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 23 in the song's album "Piano Icons for the 21st Century". In this album, this song's track order is #4. Ypakoë: Ypakoë: II. Let All Mortal Flesh Keep Silent is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ypakoë: Ypakoë: II. Let All Mortal Flesh Keep Silent by John Tavener, Elena Riu having a テンポ of 73 with a half-time of 36 テンポ and a double-time of 146 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Lament for Jerusalem: XIV. Cycle VII: Cosmic Lament VII - Dost thou know why the mirror does not reflect (Countertenor, Soprano, Chorus) | John Tavener, Angharad Gruffydd Jones, Peter Crawford, Choir of London, Choir of London Orchestra, Jeremy Summerly | D Minor | 0 | 7A | 72 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Herr, unser Herrscher (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | F♯ Minor | 3 | 11A | 137 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | E♭ Major | 0 | 5B | 67 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM | ||
Pro Peccatis | Andreas Scholl | D Minor | 2 | 7A | 58 BPM | ||
Prelude | Ola Gjeilo, Phoenix Chorale, Charles Bruffy | A♭ Minor | 1 | 1A | 86 BPM | ||
Agnus Dei (based on ADAGIO for Strings) | John Barry, Samuel Barber | B♭ Minor | 0 | 3A | 71 BPM | ||
Immortal Bach | Knut Nystedt, Schola Cantorum, Kåre Hanken | E♭ Major | 0 | 5B | 127 BPM |