"Lament for Jerusalem: XIV. Cycle VII: Cosmic Lament VII - Dost thou know why the mirror does not reflect (Countertenor, Soprano, Chorus)" by John Tavener, Angharad Gruffydd Jones, Peter Crawford, Choir of London, Choir of London Orchestra, Jeremy Summerly was released on March 21, 2006. Since Lament for Jerusalem: XIV. Cycle VII: Cosmic Lament VII - Dost thou know why the mirror does not reflect (Countertenor, Soprano, Chorus) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "Tavener: Lament for Jerusalem". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Hong Kong. Lament for Jerusalem: XIV. Cycle VII: Cosmic Lament VII - Dost thou know why the mirror does not reflect (Countertenor, Soprano, Chorus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lament for Jerusalem: XIV. Cycle VII: Cosmic Lament VII - Dost thou know why the mirror does not reflect (Countertenor, Soprano, Chorus) by John Tavener, Angharad Gruffydd Jones, Peter Crawford, Choir of London, Choir of London Orchestra, Jeremy Summerly having a テンポ of 72 with a half-time of 36 テンポ and a double-time of 144 テンポ, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petra: a ritual dream | John Tavener, Academy of Ancient Music, Paul Goodwin, George Mosley, The Choir of the AAM, Andrew Manze | B♭ Minor | 0 | 3A | 89 BPM | ||
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
O pastor animarum | Hildegard von Bingen, Oxford Camerata, Jeremy Summerly | B♭ Major | 0 | 6B | 112 BPM | ||
Miserere, Op.44: 8. Domine Deus noster - Lento. Affenttuoso | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | C Major | 0 | 8B | 133 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
3 Utwory w dawnym stylu (3 Pieces in Old Style): III. — | Henryk Górecki, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 130 BPM | ||
Dos estrellas le seguen. Romance – à 2, 3 & 4 | Manuel Machado, Paul Van Nevel, Huelgas Ensemble | C Major | 1 | 8B | 89 BPM | ||
Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | ||
Symphony No. 5 in C-Sharp Minor (arr. J. Gribben for piano) | Gustav Mahler, John Gribben, Edward Wolanin | F Major | 0 | 7B | 71 BPM | ||
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Sir Colin Davis | G Major | 1 | 9B | 145 BPM |