"Щелкунчик, Act II, Pas de Deux XIV. Variation II: "Dance of the Sugar Plum Fairy" - "Andante ma non troppo" - "Presto"" by Pyotr Ilyich Tchaikovsky, Bernhard Jarvis was released on October 6, 2013. The duration of Щелкунчик, Act II, Pas de Deux XIV. Variation II: "Dance of the Sugar Plum Fairy" - "Andante ma non troppo" - "Presto" is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. Щелкунчик, Act II, Pas de Deux XIV. Variation II: "Dance of the Sugar Plum Fairy" - "Andante ma non troppo" - "Presto"'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Беременность Музыка: Лучшая Классическая музыка фортепиано для будущего ребенка, so we believe that "Щелкунчик, Act II, Pas de Deux XIV. Variation II: "Dance of the Sugar Plum Fairy" - "Andante ma non troppo" - "Presto"" is a single. In terms of popularity, Щелкунчик, Act II, Pas de Deux XIV. Variation II: "Dance of the Sugar Plum Fairy" - "Andante ma non troppo" - "Presto" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Щелкунчик, Act II, Pas de Deux XIV. Variation II: "Dance of the Sugar Plum Fairy" - "Andante ma non troppo" - "Presto" by Pyotr Ilyich Tchaikovsky, Bernhard Jarvis is Andante (at a walking pace), since this song has a tempo of 93 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Lakmé / Act 1: Viens, Mallika, ... Dôme Épais (Flower Duet) [Arr. for Piano] | Bae Bee | B Major | 0 | 1B | 92 BPM | ||
Violin Concerto in E Minor, Op. 64: II. Andante | Ruggiero Ricci, Philharmonia Hungarica | C Major | 2 | 8B | 101 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
Intermezzo Op.118 No.2 in a Major | George Nascimento | A Major | 1 | 11B | 70 BPM | ||
Hungarian Dance No. 3 in F Major: Allegretto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | D Major | 3 | 10B | 125 BPM | ||
Bagatelle No. 25 in A minor, Für Elise | Marcus Samuelsson | A Minor | 4 | 8A | 85 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Andreas Bach | F Major | 0 | 7B | 135 BPM | ||
Cello Concerto No.1, Op.107: 1. Allegretto | Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim Shostakovich | G Minor | 2 | 6A | 126 BPM | ||
Fantaisie-Impromptu | Bae Bee | D♭ Major | 0 | 3B | 66 BPM |