Claudio Monteverdi, Marinella Pennicchi, Sylvia McNair, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner's 'L'incoronazione di Poppea / Act 2: Forsennato, scellerato' came out on January 1, 1996. With L'incoronazione di Poppea / Act 2: Forsennato, scellerato being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, English Baroque Soloists, John Eliot Gardiner's "Monteverdi: L'incoronazione di Poppea (Complete)" album is number 18 out of 41. In terms of popularity, L'incoronazione di Poppea / Act 2: Forsennato, scellerato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L'incoronazione di Poppea / Act 2: Forsennato, scellerato by Claudio Monteverdi, Marinella Pennicchi, Sylvia McNair, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM | ||
Pergolesi: Stabat Mater: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Philippe Jaroussky, Julia Lezhneva, Diego Fasolis, I Barocchisti | E Minor | 0 | 9A | 138 BPM | ||
La morte della Ragione (Pavana) | Anonymous, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 4 | 4B | 154 BPM | ||
Dolcissimi legami di parole amorose | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | D Minor | 1 | 7A | 79 BPM | ||
Missa Tempore Quadragesimae, MH 553: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 1 | 11B | 128 BPM | ||
Klag Lied in D Minor, BuxWV 76: II. Contrapunctus II & Evolutio | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, Maÿlis de Villoutreys | E Minor | 1 | 9A | 83 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act III: Chorus. "With Drooping Wings" (Chorus) | Henry Purcell, Emmanuelle Haïm, European Voices, Le Concert d'Astrée | F♯ Minor | 1 | 11A | 169 BPM | ||
Rimanti in pace, SV 74 | Claudio Monteverdi, I Fagiolini, Robert Hollingworth | G Major | 0 | 9B | 137 BPM | ||
Officium defunctorum: Invitatorium: Antifona: "Circumdederunt me" | Cristobal de Morales, Gabrieli, Paul McCreesh | F Major | 1 | 7B | 125 BPM | ||
Pro Peccatis | Andreas Scholl | D Minor | 2 | 7A | 58 BPM |