"Violin Concerto in A Major, Op. 23: II. Tempestoso - Live" by Hermann Suter, Lena-Lisa Wüstendörfer, Michael Barenboim, Swiss Orchestra was released on January 12, 2024. Since Violin Concerto in A Major, Op. 23: II. Tempestoso - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 3 in the song's album "Suter: Violin Concerto in A Major, Op. 23 (Live)". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Switzerland. The popularity of Violin Concerto in A Major, Op. 23: II. Tempestoso - Live is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto in A Major, Op. 23: II. Tempestoso - Live by Hermann Suter, Lena-Lisa Wüstendörfer, Michael Barenboim, Swiss Orchestra having a テンポ of 176 with a half-time of 88 テンポ and a double-time of 352 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Music Makers, Op. 69: I. Introduction. Moderato | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Ode, Elegiac Chant in 3 parts: I. Eulogy | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Spring Symphony, Op. 44, Part II: Waters Above (Tenor) | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra, Allan Clayton | D Major | 2 | 10B | 148 BPM | ||
Concerto for Violin, Strings, Lute and Percussion "TYCHE": II. Capriccio. Allegro | Giovanni Sollima, Jonian Ilias Kadesha, CHAARTS Chamber Artists | D♭ Major | 1 | 3B | 119 BPM | ||
A Child of our Time, Part III: Preludium | Michael Tippett, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso I | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | E♭ Major | 2 | 5B | 127 BPM | ||
Annelies (chamber version): I. Introit - Prelude | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | C Minor | 1 | 5A | 84 BPM | ||
Paint My Wall | Mikko Finneman | A♭ Minor | 3 | 1A | 86 BPM | ||
Symphony No. 2 in C minor, Op. 29: V. Maestoso | Alexander Scriabin, Brussels Philharmonic, Kazushi Ono | C Major | 3 | 8B | 78 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM |