Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker made "Mozart: Piano Concerto No. 27 in B-Flat Major, Op. 17, K. 595: II. Larghetto" available on November 4, 2022. Since Mozart: Piano Concerto No. 27 in B-Flat Major, Op. 17, K. 595: II. Larghetto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker's "Mozart: Piano Concertos Nos. 25 & 27" album is number 5 out of 6. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Mozart: Piano Concerto No. 27 in B-Flat Major, Op. 17, K. 595: II. Larghetto's popularity is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Mozart: Piano Concerto No. 27 in B-Flat Major, Op. 17, K. 595: II. Larghetto by Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker to be Allegro (fast, quick, and bright) because the track has a tempo of 146 テンポ, a half-time of 73テンポ, and a double-time of 292 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Mozart: Requiem in D Minor, K. 626: I. Introitus | Wolfgang Amadeus Mozart, Michel Corboz, Efrat Ben Nun, Ensemble Vocal de Lausanne, Orchestre de Chambre de Genève | G Major | 0 | 9B | 109 BPM | ||
Cello Concerto No. 1 in C Major, Hob. VIIb:1: II. Adagio | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | F Major | 1 | 7B | 62 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Sechs Klavierstücke, Op. 118: II. Intermezzo in A Major | Johannes Brahms, Arcadi Volodos | A Major | 0 | 11B | 69 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM |