Kurt Weill, Marianne Faithfull, Vienna Radio Symphony Orchestra made "Salomon Song" available on August 16, 1996. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Twentieth Century Blues - An Evening In The Weimar Republic". In this album, this song's track order is #4. Based on our statistics, Salomon Song's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Salomon Song by Kurt Weill, Marianne Faithfull, Vienna Radio Symphony Orchestra having a テンポ of 133 with a half-time of 66 テンポ and a double-time of 266 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Winterreise, D911: Gute Nacht | Franz Schubert, Jonas Kaufmann | D Minor | 0 | 7A | 101 BPM | ||
Die Dreigroschenoper: Seeräuberjenny | Kurt Weill, René Kollo, Ute Lemper, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 78 BPM | ||
Die Fledermaus: Overture | Johann Strauss II, Bavarian State Orchestra, Carlos Kleiber | D Major | 2 | 10B | 109 BPM | ||
Will There Really Be a Morning? | Ricky Ian Gordon, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | B♭ Major | 2 | 6B | 166 BPM | ||
Je te veux (I want you) [arr. E. Blackwood] | Erik Satie, Yoshikazu Mera, Masayuki Kino, Japan Philharmonic Orchestra, Shigeo Genda | A Major | 1 | 11B | 90 BPM | ||
Titoli Di Testa / Viaggio A Donnafugata | Nino Rota | A♭ Major | 3 | 4B | 79 BPM | ||
Quiet City | Aaron Copland, Alison Balsom, Scott Stroman, Britten Sinfonia | F♯ Major | 4 | 2B | 110 BPM | ||
Rusalka, Op. 114, B. 203 / Act 1: O Silver Moon [Rusalka] | Antonín Dvořák, Renée Fleming, London Symphony Orchestra, Sir Georg Solti | F♯ Major | 1 | 2B | 176 BPM | ||
Mahler - Urlicht | Gustav Mahler, Christianne Stotijn, Julius Drake | G Major | 1 | 9B | 142 BPM | ||
Schubert: Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Barbara Bonney, Geoffrey Parsons | A♭ Minor | 1 | 1A | 74 BPM |