"Cello Sonata in B-Flat Major, Op. 14, No. 6, RV 46 (arr. L. Dallapiccola for cello and piano): III. Largo doloroso" by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber was released on July 5, 2011. The duration of Cello Sonata in B-Flat Major, Op. 14, No. 6, RV 46 (arr. L. Dallapiccola for cello and piano): III. Largo doloroso is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Cello Sonata in B-Flat Major, Op. 14, No. 6, RV 46 (arr. L. Dallapiccola for cello and piano): III. Largo doloroso's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vivaldi (Dallapiccola): Cellosonaten by Antonio Vivaldi, Martin Rummel. The song's track number on the album is #23 out of 48 tracks. Cello Sonata in B-Flat Major, Op. 14, No. 6, RV 46 (arr. L. Dallapiccola for cello and piano): III. Largo doloroso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Sonata in B-Flat Major, Op. 14, No. 6, RV 46 (arr. L. Dallapiccola for cello and piano): III. Largo doloroso by Luigi Dallapiccola, Antonio Vivaldi, Martin Rummel, Till Alexander Körber has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Cello Sonata in B-Flat Major, Op. 14, No. 6, RV 46 (arr. L. Dallapiccola for cello and piano): III. Largo doloroso being at 76 テンポ, the half-time would be 38 テンポ with a double-time of 152 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM | ||
Po zarostlém chodníčku - Series I: IV. Frýdecká panna Maria | Leoš Janáček, Gianluigi Daniele | D♭ Minor | 1 | 12A | 129 BPM | ||
Concerto for 2 Pianos, K058: III. Quattro variazioni | Igor Stravinsky, Leif Ove Andsnes, Marc-André Hamelin | A♭ Minor | 1 | 1A | 92 BPM | ||
Ecos de Eternidad: I Saludos II | Jan Sandström, Christian Lindberg, Pedro Carrero, Símon Bolívar Symphony Orchestra | G Major | 1 | 9B | 175 BPM | ||
Canti di prigionia | American Symphony Orchestra, Luigi Dallapiccola, Concert Chorale of New York, Leon Botstein | A Minor | 0 | 8A | 80 BPM | ||
Ulisse, Act I, Scene 1: Prima che sia trada notte | Luigi Dallapiccola, Ernest Bour, William Workman, Jean-Pierre Chevalier, Paul Guigue, Christopher Wells, Orchestre Philharmonique de Radio France, Chœur de Radio France | D♭ Minor | 1 | 12A | 65 BPM | ||
Ulisse: Prologo (Calypso) | Luigi Dallapiccola, Colette Herzog, Ernest Bour, Orchestre Philharmonique de Radio France, Chœur de Radio France | B♭ Minor | 1 | 3A | 100 BPM | ||
3 Fragmente: II. Ulysse en Itaque | Witold Lutosławski, Eva Oertle, Consuelo Giulianelli | G Minor | 0 | 6A | 80 BPM | ||
25 Études faciles et progressives, Op. 100: No. 23, Retour | Franz Burgmüller, The Gerst Ensemble | B♭ Major | 0 | 6B | 63 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM |