Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore made "Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice)" available on April 26, 2024. The duration of Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice) is about 3 minutes long, at 3:21. Based on our data, "Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Jakub Józef Orliński, Il Giardino d'Amore's "Gluck: Orfeo ed Euridice, Wq. 30" album is number 18 out of 30. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Vieni appaga il tuo consorte" (Orfeo, Euridice) by Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Jakub Józef Orliński, Il Giardino d'Amore to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ich hatte viel Bekümmernis, BWV 21, Erster Teil: Sinfonia | Johann Sebastian Bach, Amsterdam Sinfonietta, Simone Lamsma, Candida Thompson | C Minor | 1 | 5A | 138 BPM | ||
Giochi Innocenti | Alessandro Gozzo, Cats Rule the World | B♭ Major | 0 | 6B | 77 BPM | ||
Orfeo ed Euridice: Act III, Scene 1, Orfeo ed Euridice: Vieni! Segui i miei passi | Christoph Willibald Gluck, René Jacobs, RIAS Kammerchor, Veronica Cangemi, Freiburger Barockorchester, Bernarda Fink | A Major | 0 | 11B | 97 BPM | ||
12 Sonatas and a Pastorale, Op. 1 (1734) No. 7, Violin Sonata in D Major, B.D6 / GT 2.D06: I. Grave | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | ||
Recomposed: Vivaldi - The Four Seasons: Autumn 2 | Max Richter, Antonio Vivaldi, Daniel Rowland, Stift Festival Orchestra | D♭ Major | 2 | 3B | 89 BPM | ||
Fago: Tam non splendet sol creatus: II. "O nox clara?" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A Major | 1 | 11B | 96 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: "Trionfi Amore!" (Orfeo, Amore, Euridice, Coro) | Christoph Willibald Gluck, Stefan Plewniak, Elsa Dreisig, Fatma Said, Il Giardino d'Amore Choir, Jakub Józef Orliński, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 1, Der Engel | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | E♭ Major | 1 | 5B | 69 BPM | ||
Symphony in B Minor, H. 661, Wq. 182/5: II. Larghetto | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | E♭ Minor | 0 | 2A | 89 BPM |