Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields's 'Mozart: Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto' came out on January 1, 1987. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields's "Mozart: Symphony Nos. 36 "Linz" & 40" album is number 3 out of 8. On top of that, United Kingdom appears to be the country where this track was created. The popularity of Mozart: Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mozart: Symphony No. 40 in G Minor, K. 550: III. Menuetto. Allegretto by Wolfgang Amadeus Mozart, Sir Neville Marriner, Academy of St. Martin in the Fields to be Vivace (lively and fast) because the track has a tempo of 173 テンポ, a half-time of 86テンポ, and a double-time of 346 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
The music key of this track is G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia for Strings in G major, RV 149: II. Andante | Karoly Botvay | D Major | 0 | 10B | 114 BPM | ||
Die Entfuhrung Aus Dem Serail (Abduction From The Seraglio), K. 384: Final Chorus | Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Wolfgang Amadeus Mozart, C. F. Bretzner | D Minor | 4 | 7A | 72 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM | ||
Clarinet Concerto No. 2 in E flat major Op.74: I: Allegro | Carl Maria von Weber, Sabine Meyer, Herbert Blomstedt, Staatskapelle Dresden | A Minor | 0 | 8A | 176 BPM | ||
Symphony in C Major, Op. 2 No. 3 "The Chaplet": I. Allegro | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 3 | 8B | 121 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 4. Andante | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 1 | 10B | 91 BPM | ||
Rupert Bear | Academy of St. Martin in the Fields, Gabriel Yared | B♭ Major | 2 | 6B | 90 BPM | ||
Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andantino grazioso | Robert Schumann, Martha Argerich, National Symphony Orchestra Washington, Mstislav Rostropovich | F Major | 0 | 7B | 105 BPM | ||
Piano Sonata No. 16 in C Major, K. 545 "Sonata facile": I. Allegro | Lang Lang | C Major | 2 | 8B | 120 BPM | ||
Bassoon Concerto in F, Op.75: 1. Allegro ma non troppo | Carl Maria von Weber, Milan Turkovic, Bamberg Symphony, Hanns-Martin Schneidt | F Major | 1 | 7B | 128 BPM |