"Nimrod - No 9 of Variations on an Original Theme Op 36 Enigma Variations" by Edward Elgar, William McVicker was released on 1997. Nimrod - No 9 of Variations on an Original Theme Op 36 Enigma Variations is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in William McVicker's "Great Organ Classics" album is number 16 out of 17. Nimrod - No 9 of Variations on an Original Theme Op 36 Enigma Variations is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nimrod - No 9 of Variations on an Original Theme Op 36 Enigma Variations by Edward Elgar, William McVicker to be Andante (at a walking pace) because the track has a tempo of 80 テンポ, a half-time of 40テンポ, and a double-time of 160 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Gothique, Op. 25: I. Introduction - Choral. Maestoso | Léon Boëllmann, Ian Tracey | F Minor | 1 | 4A | 66 BPM | ||
Final - from Symphonie I Op14 | Louis Vierne, William McVicker | A Major | 1 | 11B | 76 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Organ Symphony No. 6 in G Minor, Op. 42, No. 2: I. Allegro | Charles-Marie Widor, Hans Fagius | G Minor | 2 | 6A | 70 BPM | ||
Touch Her Soft Lips and Part (From "Henry V") | William Walton, Itzhak Perlman, John Williams, Boston Pops Orchestra | B Minor | 1 | 10A | 93 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM |