Christoph Graupner, Ars Antiqua Austria, Gunar Letzbor made "Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: Menuet" available on May 25, 2012. The duration of Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: Menuet is about 3 minutes long, at 3:15. Based on our data, "Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: Menuet" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Christoph Graupner, Ars Antiqua Austria, Gunar Letzbor's "Graupner: Chalumeaux - Concertos, ouvertures & sonatas" album is number 15 out of 24. On top of that, Netherlands appears to be the country where this track was created. Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: Menuet is not that popular right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
We consider the tempo marking of Ouverture a 3 Chalum. 2 Violis. Viola e Cembalo F-Dur GWV 449: Menuet by Christoph Graupner, Ars Antiqua Austria, Gunar Letzbor to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia a quattro: III. Allegro | František Tůma, Czech Ensemble Baroque, Roman Válek | B Major | 2 | 1B | 83 BPM | ||
Symphony in C Major, H. 659, Wq. 182/3: I. Allegro assai | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 140 BPM | ||
Sonata Prima in F Major: IV. Giga Presto | Unico Wilhelm van Wassenaer, Teun & Teun | F♯ Minor | 1 | 11A | 126 BPM | ||
Stabat Mater in F Minor, RV 621: No. 9., Amen | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
Concerto VIII in C Minor from 24 Concerti di Napoli for Recorder, 2 Violins and Basso Continuo: I. Vivace | Francesco Mancini, Barbara Heindlmeier, La Festa Musicale | A♭ Minor | 1 | 1A | 61 BPM | ||
Symphony in A Major, H. 660, Wq. 182/4: II. Largo ed innocentemente | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Mayumi Hirasaki | D♭ Major | 1 | 3B | 140 BPM | ||
6 Concerts transcrits en sextuor / 1er Concert: Le Vézinet | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | F Minor | 3 | 4A | 100 BPM | ||
Sinfonia No. 8 in si bemolle maggiore (Gesù presentato nel tempio): II. Largo | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | A Minor | 1 | 8A | 96 BPM | ||
Organ Concerto in G Major, BWV 592 (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): III. Presto | Johann Sebastian Bach, Holland Baroque | F♯ Major | 2 | 2B | 120 BPM | ||
Sonata in D Major for Violin and Continuo, Book V No. 6: III. Gavotta I/II | Jacques Aubert, David Plantier, Les plaisirs du Parnasse | B♭ Minor | 2 | 3A | 143 BPM |