"Gloria Laudamus" by Tsvetan Mihailov, Teodor Moussev, Bogdana Popova, Stela Dimitrova, Tiha Geniva, Choeur mixte de la radio-télévision bulgare, Orlin Pavlov, Stefka Mineva had its release date on December 7, 2010. The duration of This song is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Gloria Laudamus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tsvetan Mihailov's "Gioacchino Rossini : Petite messe solennelle" album is number 2 out of 14. On top of that, France appears to be the country where this track was created. In terms of popularity, Gloria Laudamus is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Gloria Laudamus by Tsvetan Mihailov, Teodor Moussev, Bogdana Popova, Stela Dimitrova, Tiha Geniva, Choeur mixte de la radio-télévision bulgare, Orlin Pavlov, Stefka Mineva to be Andante (at a walking pace) because the track has a tempo of 94 テンポ, a half-time of 47テンポ, and a double-time of 188 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Rossini: Guillaume Tell, Act 4 Scene 11: "Pourquoi ta presence, ô mon père! ... Tout change et grandit en ces lieux!" (Arnold, Guillaume, Hedwige, Jemmy, Mathilde, Gessler, Walter, Chorus) | Gioachino Rossini, Mady Mesplé/Jocelyne Taillon/Gabriel Bacquier/Nicolai Gedda/Ambrosian Opera Chorus/Royal Philharmonic Orchestra/Lamberto Gardelli, Lamberto Gardelli, Royal Philharmonic Orchestra | C Major | 2 | 8B | 78 BPM | ||
Carmina Burana: XVII. Stetit puella | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 80 BPM | ||
Schubert: Mass in G Major, D. 167: Kyrie | Franz Schubert, Lucia Popp, Elmar Schloter, Wolfgang Sawallisch, Bavarian Radio Symphony Orchestra | E Minor | 0 | 9A | 124 BPM | ||
Die tote Stadt: "Glück, das mir verblieb" | Erich Wolfgang Korngold, Jonas Kaufmann, Jochen Rieder, Berlin Radio Symphony Orchestra | B♭ Major | 1 | 6B | 171 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Oedipus Rex, Prologue and Act I: "Spectateurs, vous allez entendre…" | Igor Stravinsky, London Symphony Orchestra, Stuart Skelton, Fanny Ardant, The Monteverdi Choir, John Eliot Gardiner | B♭ Minor | 1 | 3A | 172 BPM | ||
O Del Mio Dolce Ardor | Charlotte de Rothschild & David Watkins | E♭ Major | 1 | 5B | 125 BPM | ||
Requiem: XIII. Sanctus | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra | F Major | 1 | 7B | 117 BPM | ||
Samson et Dalila, Mon Coeur s'ouvre à ta Voix, (De "Los Puentes de Madison County") | Prague Opera OrchestrPrague Opera Orchestra | G Minor | 0 | 6A | 117 BPM | ||
Accende Lumen Sensibus | Angelina Rojas, Lourdes Ambriz, Encarnacion Vazquez, Grace Echauri, Veronica Alexanderson, Jose Guadalupe Reyes, Jesus Suaste, Noé Colin, Orquesta Sinfonica de Xalapa, Francisco Savin | E♭ Major | 2 | 5B | 81 BPM |